Database / Artworks
Artworks
![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"](https://images.metmuseum.org/CRDImages/dp/original/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori
Engraving · 1581
The Metropolitan Museum of Art
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Christ and the Canaanite Women
Abraham Bloemaert
Pen and brown ink, brush and brown wash, heightening with white, over black chalk; traces of framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire
Crispijn de Passe the Elder
Pen and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Head of a Bearded Man Wearing a Cap
Jacques de Gheyn, II
Pen and brown ink, brush and brown wash; framling lines in graphite · 1580
The Metropolitan Museum of Art
Adoration of the Magi
Andrea Andreani
Chiaroscuro woodcut from three blocks in pale brown · 1580
The Metropolitan Museum of Art
Putto Holding a Cloud and Horn
Crispijn van de Passe the Elder
Pen and black ink, brush and gray wash. Incised for transfer · 1580
The Metropolitan Museum of Art
Nobilium in Belgio Utriusque Sexus Ornatus, from Fashions of Different Nations
Pieter de Jode I
Engraving; first state of two · 1580
The Metropolitan Museum of Art
Habitus Lusitanorum Peculiaris, from Fashions of Different Nations
Pieter de Jode I
Engraving; first state of two · 1580
The Metropolitan Museum of Art
Germanicus Habitus, from Fashions of Different Nations
Pieter de Jode I
Engraving; first state of two · 1580
The Metropolitan Museum of Art
Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations
Pieter de Jode I
Engraving; first state of two · 1580
The Metropolitan Museum of Art
Design for a Knife Handle with the Personification of Charity
Johann Theodor de Bry
Engraving and blackwork · 1580
The Metropolitan Museum of Art
Study after the Belvedere Torso
Giuseppe Cesari, called Cavaliere d'Arpino
Red chalk · 1580
The Metropolitan Museum of Art
Experientia, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands
Johann Theodor de Bry
Engraving and blackwork · 1580
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert, Dutch
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert, Dutch
Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk · 1580
The Metropolitan Museum of Art
The Three Graces (recto); Four putti engaging in various activities (verso)
Christoph Murer
Pen and black ink, brush and gray wash, heightened with white gouache, on paper prepared with semi-opaque gray wash · 1580
The Metropolitan Museum of Art
Sanitas, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art
Design for a Knife Handle (Fragment from Manches de Coutiaus)
Johann Theodor de Bry
Engraving and blackwork · 1580
The Metropolitan Museum of Art
Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art
Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)
Abraham Bloemaert
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art
Saint Paul Seated, with his Conversion in the Background (recto); Figure Sketch (verso)
Abraham Bloemaert, Dutch
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art
Gratia Dei, from "Proposopographia"
Philip Galle
Engraving · 1580
The Metropolitan Museum of Art