Database / Artworks
Artworks

Faith, Hope and Charity
Gerrit Pietersz Sweelink
Etching; unrecorded proof before the first state with additions in pen and brown ink · 1588
The Metropolitan Museum of Art

The Young Painter and Young Goldsmith, from The Duels of the Workmen
Jost Amman
Etching · 1588
The Metropolitan Museum of Art

Phaeton, from "The Four Disgracers"
Hendrick Goltzius
Engraving · 1588
The Metropolitan Museum of Art

Trotting horse
Giambologna
Bronze · 1587
The Metropolitan Museum of Art

Pair of Gauntlets Belonging to the Armor of Duke Friedrich Ulrich of Brunswick (1591–1634)
Royal Workshops at Greenwich
Steel, gold, leather, textile, copper alloy · 1587
The Metropolitan Museum of Art

Two Children Teasing a Cat
Annibale Carracci
Oil on canvas · 1587
The Metropolitan Museum of Art

Mary, Queen of Scots
Léonard Gaultier
Engraving · 1587
The Metropolitan Museum of Art

Hercules and Cerberus
Aegidius Sadeler, II
Engraving · 1586
The Metropolitan Museum of Art

Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Bonifacio
Etching, printed from three plates · 1586
The Metropolitan Museum of Art

Studies of Fruits, Insects and Shells
Georg Flegel
Watercolor on parchment · 1586
The Metropolitan Museum of Art

Hercules and Cerberus
Aegidius Sadeler II
Engraving · 1586
The Metropolitan Museum of Art

Publius Horatius
Hendrick Goltzius
Engraving · 1586
The Metropolitan Museum of Art

Walls, Towers, and Gates of Amsterdam
Jacob Savery
Pen and brown ink · 1585
The Metropolitan Museum of Art

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art

Spoon (one of a set)
Antonio Gentili da Faenza
Silver · 1585
The Metropolitan Museum of Art

Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art

Knife (one of a set)
Antonio Gentili da Faenza
Silver, gold · 1585
The Metropolitan Museum of Art

The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art

Allegory of Africa, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art

Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art

Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art

Mars and Venus Trapped by Vulcan
Guglielmo della Porta
Gilt bronze · 1585
The Metropolitan Museum of Art

Orpheus and Eurydice
Agostino Carracci, Italian
Engraving, second state · 1585
The Metropolitan Museum of Art

The Massacre of the Innocents
Giovanni Battista della Rovere
Pen and brown ink, brush and brown wash, over black chalk (recto); sketch for the decoration of a spandrel in pen and brown ink over red chalk (verso) · 1585
The Metropolitan Museum of Art