Database / Artworks
Artworks
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro
Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso) · 1537
The Metropolitan Museum of Art
Pietro Bacci Aretino (1492–1556)
Leone Leoni
Bronze · 1537
The Metropolitan Museum of Art
The Deposition from the Cross
Domenico Campagnola, Italian
Pen and brown ink · 1537
The Metropolitan Museum of Art
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper · 1537
The Metropolitan Museum of Art
Design for the End Pier of a Table
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, over black chalk · 1537
The Metropolitan Museum of Art
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Anne de Pisseleu (1508–1576), Duchesse d'Étampes
Corneille (Guillaume van Beverloo)
Oil on wood · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
Saint Roch
Battista Angolo del Moro
Etching · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Madonna and Child with a Bird
Diana Scultori
Engraving · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Mignon
Etching · 1535
The Metropolitan Museum of Art
Two men and a woman playing cards at a table, one man pressing his nose toward the woman's forehead, from a series of ten scenes of musicians and couples dancing, drinking, playing music, and playing cards
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art
Saltcellar (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art