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Artworks

12,379 records by Paul Kirps · Met Museum
The Prodigal Son
The Prodigal Son
Pieter de Jode II
Engraving · 1600
The Metropolitan Museum of Art
The Elements: Fire
The Elements: Fire
Christoph Murer
Painted and stained glass · 1600
The Metropolitan Museum of Art
The Sacrifice of Noah
The Sacrifice of Noah
Aureliano Milani
Black chalk, brush and gray wash, on light tan paper · 1600
The Metropolitan Museum of Art
The Calling of Saint Matthew
The Calling of Saint Matthew
Jan Sanders van Hemessen
Oil on wood · 1600
The Metropolitan Museum of Art
Design for a Tabernacle
Design for a Tabernacle
Pierre Puget, French
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Landscape
Landscape
Wang Hui
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Page of Calligraphy
Page of Calligraphy
Muhammad Husain Kashmiri
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Virgin and Child, with Saints Anthony and Catherine
Virgin and Child, with Saints Anthony and Catherine
Giacomo Cavedone
Etching · 1600
The Metropolitan Museum of Art
Landscape
Landscape
Xiao Hui Wang
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Design for a Tabernacle
Design for a Tabernacle
Pierre Puget
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Portrait of a Man, Said to Be Arnold Franz
Portrait of a Man, Said to Be Arnold Franz
Hans Holbein the Younger
Vellum laid on card · 1600
The Metropolitan Museum of Art
Distant Landscape with Tree in Foreground
Distant Landscape with Tree in Foreground
Aureliano Milani
Counterproof. Red chalk on cream paper. Framing outline in red chalk · 1600
The Metropolitan Museum of Art
Landscape
Landscape
Aureliano Milani
Red chalk on light tan paper. Framing outline in red chalk. Partial framing outline? in pen and brown ink at lower right edge · 1600
The Metropolitan Museum of Art
Seated Female Nude
Seated Female Nude
Domenico Tintoretto
Black and white chalk on blue paper · 1600
The Metropolitan Museum of Art
Winter Landscape with a Hunter and his Dog
Winter Landscape with a Hunter and his Dog
Hendrick Avercamp
Pen and brown ink, with brush and gray ink and watercolor, over black chalk; framing line in black ink · 1600
The Metropolitan Museum of Art
The Ferryboat
The Ferryboat
Hendrick Avercamp
Pen and brown ink, with watercolor, over graphite; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art
Landscape
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
The Commandment to Love One Another
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
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