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Artworks

98,511 records by Yasuhiro Kira · Art Institute Chicago
Goldweight with a Geometric Pattern
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Head of Pythagoras
Head of Pythagoras
Raphael
Black and red chalk with stumping, heightened with white chalk, on blue laid paper, laid down on cream laid paper · 1700
Art Institute of Chicago
Swooning Woman at the Door of a Nunnery, Supported by Nun and Young Man
Swooning Woman at the Door of a Nunnery, Supported by Nun and Young Man
Benedetto Pastorini
Black chalk, with touches of graphite, on ivory laid paper, partially laid down · 1700
Art Institute of Chicago
Playing Putti
Playing Putti
Jacob de Wit
Pen and brown inkm over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Music-Making Angels
Music-Making Angels
Vittorio Maria Bigari
Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Male Nude and Other Figures
Male Nude and Other Figures
John Hamilton Mortimer
Pen and brown ink, with brush and brown wash, over graphite, on ivory wove paper · 1700
Art Institute of Chicago
Landscape with Two Male Figures
Landscape with Two Male Figures
Gilbert Stuart Newton
Brush with gray and green wash, on ivory wove paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Screen of Six Sheets (310)
Screen of Six Sheets (310)
Louis Crépy, Jr.
Etching on paper · 1700
Art Institute of Chicago
Forest with Stream and Figures
Forest with Stream and Figures
Jean Baptiste Pillement
Black chalk, with brush and black wash, on blue prepared ground on ivory paper, laid down on card · 1700
Art Institute of Chicago
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago
The Risen Christ
The Risen Christ
Michelangelo Buonarroti
Graphite (recto and verso) on ivory wove paper · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Sebastiano Conca
Red chalk heightened with lead white (discolored) on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Medal
Medal
European
Silver · 1700
Art Institute of Chicago
Pattern for China Plates (Utica)
Pattern for China Plates (Utica)
George Knapton
Pen and black ink, with brush and gray wash, on cream laid paper, laid down on ivory wove paper · 1700
Art Institute of Chicago
Seated Male Near Female
Seated Male Near Female
Johann Zoffany
Black chalk on ivory laid paper · 1700
Art Institute of Chicago
Head of a Bearded Man
Head of a Bearded Man
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Sketches of Ladies and Gentlemen, Dancers
Sketches of Ladies and Gentlemen, Dancers
Imitator of Jean Antoine Watteau
Pen and black ink on ivory laid paper · 1700
Art Institute of Chicago
Two Men Conversing and Gesturing
Two Men Conversing and Gesturing
Raphael
Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700
Art Institute of Chicago
Allegory of Sea Trade
Allegory of Sea Trade
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Platter
Platter
Chinese export porcelain
Hard-paste porcelain, glaze, enamels and gilding · 1700
Art Institute of Chicago
Landscape with Ruined Tower
Landscape with Ruined Tower
Pierre Alexandre Wille
Red chalk, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago
Caryatid with Yoke and Scroll
Caryatid with Yoke and Scroll
Raphael
Red chalk, with brush and red chalk wash, on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Federico Barocci
Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper · 1700
Art Institute of Chicago
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