Database / Artworks
Artworks
Design for a Term with the Head of Woman, Strapwork and Trophies
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
Design for a Term with the Head of Woman, Strapwork and Trophies
Mignon
Etching · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Agnolo Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Illustrations to Proverbs 10: 4-7
Daniel Hopfer
Etching; first state of two · 1534
The Metropolitan Museum of Art
The Banquet of the Gods
Porta, Guglielmo della
Pen and brown ink, over black chalk · 1534
The Metropolitan Museum of Art
Classical Female Figure (Diana or Venus) with Two Infants
Francesco Primaticcio
Pen and brown ink, highlighted with white gouache, over traces of black chalk, stylus and compass construction; traces of squaring in black chalk · 1534
The Metropolitan Museum of Art
Arabesque Design on Dark Ground
Virgil Solis
Etching and engraving · 1534
The Metropolitan Museum of Art
Illustration to Proverbs 11: 26
Daniel Hopfer
Etching; second state of four · 1534
The Metropolitan Museum of Art
Unknown Humanist (in the past tentatively identified as Menno van Friesland 1492-1559)
Friedrich Hagenauer
Silver · 1534
The Metropolitan Museum of Art
The Triumph of Death on Time, from The Triumph of Petrarch
Georg Pencz
Engraving · 1534
The Metropolitan Museum of Art
Illustration to Proverbs 11: 26
Daniel Hopfer, I
Etching; second state of four · 1534
The Metropolitan Museum of Art
The Triumph of Time on Fame, from "The Triumphs of Petrarch"
Georg Pencz
Engraving · 1534
The Metropolitan Museum of Art
The Witches at the Walnut Tree of Benevento
Porta, Guglielmo della
Pen and brown ink · 1534
The Metropolitan Museum of Art
Illustrations to Proverbs 10: 4-7
Daniel Hopfer, I
Etching; first state of two · 1534
The Metropolitan Museum of Art
The Banquet of the Gods
Guglielmo della Porta
Pen and brown ink, over black chalk · 1534
The Metropolitan Museum of Art
The Triumph of Eternity on Death, from The Triumph of Petrarch
Georg Pencz
Engraving; second state of two (Landau) · 1534
The Metropolitan Museum of Art