Database / Artworks
Artworks

View of the Piazza della Rotonda, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Site of the ancient Roman Forum, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

Internal view of the Atrium of the Portico of Octavia, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
![View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome](/api/images/artworks/aic/53280.jpg)
View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Palazzo di Montecitorio, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Pyramidal Tomb of Cestius, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

Egyptian Obelisk. This was erected by Pope Sixtus V in the Piazza of St. John Lateran, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

The Column of Marcus Aurelius, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Pyramidal Tomb of Cestius, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Ponte Salario, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Flavian Amphitheater, called the Colosseum, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Port of Ripa Grande, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

View of the Arch of Titus, from Vedute di Roma (Views of Rome)
Giovanni Battista Piranesi
Etching in black on ivory laid paper · 1750
Art Institute of Chicago

The Skeletons
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

The Pyramid of Gaius Cestius, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago

The Pier with Chains
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1749
National Gallery of Art

The Pier with a Lamp
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, and burnishing · 1749
National Gallery of Art

The Gothic Arch
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, and burnishing · 1749
National Gallery of Art