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Artworks

Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1763
Art Institute of Chicago

View of the So-Called Tempio della Tosse (Temple of the Cough) on the Via Tiburtina a mile from Tivoli, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1763
Art Institute of Chicago

Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1763
Art Institute of Chicago

Remains of the Villa of Maecenas at Tivoli, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1763
Art Institute of Chicago

View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1763
Art Institute of Chicago

Lapides Capitolini; Le Rovine dell Castello dell'Acqua Giula; Antichità di Cora
Giovanni Battista Piranesi
3 works bound in 1 vol: etchings · 1762
National Gallery of Art

View of Two Churches, One Called 1. S. Maria di Loreto, the other 2. The Name of Mary, near 3. Trajan's Column. 4. The ascent to the Quirinal, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago
![View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome](/api/images/artworks/aic/64573.jpg)
View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago

The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London
Giovanni Battista Piranesi
Book with forty-nine etchings in black on ivory wove paper · 1762
Art Institute of Chicago

Tomb of Caecilia Metella, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago

The Remains of the Mausoleum of Augustus, plate XXI from The Campus Martius of Ancient Rome
Giovanni Battista Piranesi
Etching in black ink on cream laid paper · 1762
Art Institute of Chicago

The Lion Bas-Reliefs
Giovanni Battista Piranesi
etching and engraving on laid paper · 1761
National Gallery of Art

The Round Tower
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, and burnishing on laid paper · 1761
National Gallery of Art

Della Magnificenza ed Archittetura; Osservazioni; E Parere su l'Architettura
Giovanni Battista Piranesi
3 works bound in 1 vol: etchings · 1761
National Gallery of Art

The Drawbridge, plate 7 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

The Smoking Fire, plate 6 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

The Staircase with Trophies, plate 8 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

The Arch with a Shell Ornament, plate 11 from Imaginary Prisons
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1761
Art Institute of Chicago

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

The Sawhorse, plate 12 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

The Gothic Arch, plate 14 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

The Pier with Chains, plate 16 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1761
Art Institute of Chicago

View of the Temple of the Sibyl at Tivoli, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1761
Art Institute of Chicago

View of the Pantheon of Agrippa, today S. Maria ad Martyres, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1761
Art Institute of Chicago