Database / Artworks
Artworks
![Tomb of Caecilia Metella called Capo di Bove [Ox Head], plate twenty from Some Views of Triumphal Arches and other monuments](/api/images/artworks/aic/131481.jpg)
Tomb of Caecilia Metella called Capo di Bove [Ox Head], plate twenty from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Ampitheater of Verona, plate 25 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Arch of Pola in Istria near the Gate, plate 24 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Temple of Clitumnus between Foligno and Spoleto, plate 26 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Ampitheater of Pola in Istria near the sea, plate 23 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views of Triumphal Arches and other Monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Tomb of the three Curiatii brothers in Albano, plate 27 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Arch of Galienus. I. Facade of the Church of S. Vito, plate 29 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Sepolcro delle tre fratelli Curiati in Albano (Tomb of the Three Curiatii Brothers in Albano), from the Antichità Romane de' Tempi della Repubblica
Giovanni Battista Piranesi
Etching and engraving on off-white laid paper · 1748
Art Institute of Chicago
![1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments](https://www.artic.edu/iiif/2/2e3af249-fec8-e6a8-3fd8-455c4e4bb261/full/843,/0/default.jpg)
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

The Carrying of the Cross
Giovanni Battista Piranesi
pen and gray-brown ink with gray-brown wash over black chalk on laid paper; laid down · 1747
National Gallery of Art

Grottesco with the Tomb of Nero
Giovanni Battista Piranesi
pen and gray-brown ink over red chalk, tip of the brush with gray ink, gray wash · 1747
National Gallery of Art

Prima Parte di Architetture, e Prospettive (First Edition, Third Issue)
Giovanni Battista Piranesi
1 vol: title plate (Robison 1, state iii), dedication page (reset text w/ initial "S" (Robison 14), 14 plates (R.2-3, 5-12 state ii; R.14-18 state i) · 1747
National Gallery of Art

Frontispiece, with Statue of Minerva
Giovanni Battista Piranesi
etching · 1747
National Gallery of Art

The Monumnental Tablet, from the Grotteschi
Giovanni Battista Piranesi
Etching, engraving, and drypoint on off-white paper · 1747
Art Institute of Chicago

A Fantastic Vase
Giovanni Battista Piranesi
pen and brownish black ink with gray wash over black chalk on laid paper · 1746
National Gallery of Art

Marmerblokken, een antieke torso en een schaal
Giovanni Battista Piranesi
pen on paper, ink, chalk · 1745
Rijksmuseum

A Battle of Nude Men
Giovanni Battista Piranesi
pen and dark brown ink with brown and gray-brown wash over red chalk on laid paper pasted down on the remains of the artist's original mount · 1744
National Gallery of Art

Scherzo with Antique Figures
Giovanni Battista Piranesi
pen and brown ink with brown wash over red chalk on laid paper pasted down on the remains of the artist's original mount · 1744
National Gallery of Art

Rovine d' antichi Edifizj
Giovanni Battista Piranesi
etching, engraving, drypoint, scratching · 1743
National Gallery of Art

Camera sepolcrale
Giovanni Battista Piranesi
etching · 1742
National Gallery of Art

An Ancient Forum with Porticos
Giovanni Battista Piranesi
pen and brown ink with gray wash over black chalk on laid paper · 1742
National Gallery of Art

Palatial Courtyard with a Fountain
Giovanni Battista Piranesi
Pen and brown ink and brush and brown wash on buff laid paper · 1740
Art Institute of Chicago