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Artworks

318 records by Giovanni Battista Piranesi
The Arch with a Shell Ornament
The Arch with a Shell Ornament
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, drypoint · 1800
National Gallery of Art
The Gothic Arch
The Gothic Arch
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1800
National Gallery of Art
Prisoners on a Projecting Platform
Prisoners on a Projecting Platform
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1800
National Gallery of Art
The Smoking Fire
The Smoking Fire
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1800
National Gallery of Art
The Pier with a Lamp
The Pier with a Lamp
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Sawhorse
The Sawhorse
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Drawbridge
The Drawbridge
Giovanni Battista Piranesi
etching, engraving, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Giant Wheel
The Giant Wheel
Giovanni Battista Piranesi
etching, engraving [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Round Tower
The Round Tower
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Grand Piazza
The Grand Piazza
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum
A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
View of the Remains of the Cella of the Temple of Neptune, from Different views of Paestum
View of the Remains of the Cella of the Temple of Neptune, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum
Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland, from Different views of Paestum
Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
View of the Remains of the Two Rows of Columns in the Temple of Neptune which [originally] formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum
View of the Remains of the Two Rows of Columns in the Temple of Neptune which [originally] formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
Interior view of the so-called College des Anfictions, from Different views of Paestum
Interior view of the so-called College des Anfictions, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
Interior View of the Temple Which is Believed to Have Been Dedicated to Juno, from Different views of Paestum
Interior View of the Temple Which is Believed to Have Been Dedicated to Juno, from Different views of Paestum
Giovanni Battista Piranesi
Etching on ivory laid paper · 1778
Art Institute of Chicago
The "Canopus" of the Villa Adriana at Tivoli
The "Canopus" of the Villa Adriana at Tivoli
Giovanni Battista Piranesi
red chalk over black chalk on heavy laid paper · 1776
National Gallery of Art
Veduta ... delle Terme di Tito
Veduta ... delle Terme di Tito
Giovanni Battista Piranesi
etching on laid paper · 1776
National Gallery of Art
View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome
View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1776
Art Institute of Chicago
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1776
Art Institute of Chicago
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1776
Art Institute of Chicago
Veduta delle Terme di Tito
Veduta delle Terme di Tito
Giovanni Battista Piranesi
etching on laid paper · 1775
National Gallery of Art
View of Visible Remains of the Baths of Diocletian, from Views of Rome
View of Visible Remains of the Baths of Diocletian, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1774
Art Institute of Chicago
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