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Artworks

12,379 records by Charles Aubry · Met Museum
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 58 (verso)
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 58 (verso)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 25 (recto)
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 25 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Virgin Interceding for Those in Purgatory
Virgin Interceding for Those in Purgatory
Alonso Cano
Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper · 1601
The Metropolitan Museum of Art
Engraving of Firearms Ornament from the Pattern Book <i>Plusieurs pieces de l'arquebuzerie / recueillies et inventeés par Francois Marcou</i>
Engraving of Firearms Ornament from the Pattern Book <i>Plusieurs pieces de l'arquebuzerie / recueillies et inventeés par Francois Marcou</i>
C. Jacquinet
Ink, paper · 1601
The Metropolitan Museum of Art
Jacob Wrestling with the Angel
Jacob Wrestling with the Angel
Giulio Benso
Pen and brown ink, brush and brown wash over traces of black chalk · 1601
The Metropolitan Museum of Art
Allegory of the Death of a Religious Man
Allegory of the Death of a Religious Man
Francken, Frans, II
Pen and brown ink, brush and brown and blue ink · 1601
The Metropolitan Museum of Art
Allegory of the Death of a Religious Man
Allegory of the Death of a Religious Man
Frans Francken III
Pen and brown ink, brush and brown and blue ink · 1601
The Metropolitan Museum of Art
Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔)
Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>) · 1601
The Metropolitan Museum of Art
Angels Ministering to St. Sebastian
Angels Ministering to St. Sebastian
Alonso Cano
Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink · 1601
The Metropolitan Museum of Art
Barberini Cabinet
Barberini Cabinet
Florence
Oak and poplar veneered with various exotic hardwoods, with ebony moldings and plaques of marble, slate (paragon); pietre dure work consisting of colored marbles, rock crystal, and various hardstones · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV
Corona delle Nobili et Virtuose Donne: Libro I-IV
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 96 (recto)
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 96 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Pine Tree (obverse); Landscape (reverse)
Pine Tree (obverse); Landscape (reverse)
Kano School
Two-panel folding screen; ink, color, and gold on paper (obverse); ink and color on paper (reverse side) · 1600
The Metropolitan Museum of Art
Local ring dial
Local ring dial
T. W. Smillie
Brass · 1600
The Metropolitan Museum of Art
"Diana, Goddess of the Hunt", Folio from the Davis Album
"Diana, Goddess of the Hunt", Folio from the Davis Album
Ali
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Kneeling Woman
Kneeling Woman
Mattia Preti
Red chalk on light brown paper · 1600
The Metropolitan Museum of Art
Landscape with Trees and Figures
Landscape with Trees and Figures
Herman van Swanevelt
Brush and brown ink, over a sketch in black chalk; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art
Bust of Pseudo-Seneca
Bust of Pseudo-Seneca
Peter Paul Rubens, Flemish
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art
St. Bonifacius and St. Homobonus, Patron Saints of Tailors
St. Bonifacius and St. Homobonus, Patron Saints of Tailors
Pieter de Jode II
Engraving · 1600
The Metropolitan Museum of Art
Design for a Tabernacle
Design for a Tabernacle
Pierre Puget, French
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Portrait of Islam Khan Mashhadi
Portrait of Islam Khan Mashhadi
Payag
Opaque watercolor and gold on paper · 1600
The Metropolitan Museum of Art
Cupid on Horseback
Cupid on Horseback
Francesco Fanelli
Copper alloy, covered with a dark brown lacquer patina. · 1600
The Metropolitan Museum of Art
Page of Calligraphy
Page of Calligraphy
Muhammad Husain Kashmiri
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Virgin adoring the Christ Child
Virgin adoring the Christ Child
Orsi
Ivory · 1600
The Metropolitan Museum of Art
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