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Artworks

12,280 records by René Georges Hermann-Paul · Met Museum
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
Standing Angel Brandishing a Sword
Standing Angel Brandishing a Sword
Ferraù Fenzoni
Pen and brown ink, brush and brown wash, over black chalk · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
The Virgin and Child Surrounded by Little Angels in the Clouds
The Virgin and Child Surrounded by Little Angels in the Clouds
Friedrich Sustris
Pen and brown ink, brush and gray wash, heightened with white · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Orpheus and Eurydice
Agostino Carracci
Engraving, second state · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Flaying of Marsyas
Guglielmo della Porta
Bronze · 1585
The Metropolitan Museum of Art
Ecce Homo
Ecce Homo
Hans von Aachen
Pen and brown ink, brush and gray wash, over black chalk · 1585
The Metropolitan Museum of Art
The Liberation of Oriane from a set of Amadis of Gaul
The Liberation of Oriane from a set of Amadis of Gaul
Karel van Mander II
Wool and silk (8-9 warps per cm) · 1585
The Metropolitan Museum of Art
Ewer
Ewer
Estève
Faience (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Orpheus and Eurydice
Agostino Carracci, Italian
Engraving, second state · 1585
The Metropolitan Museum of Art
Thesaurus Sacrarum historiarum Veteris et Novi Testamenti
Thesaurus Sacrarum historiarum Veteris et Novi Testamenti
Gerard de Jode
Engraving · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Song of the Lute
Song of the Lute
Ding Yunpeng
Hanging scroll; ink and color on paper · 1585
The Metropolitan Museum of Art
Basin
Basin
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
The Holy Women at the Sepulchre
The Holy Women at the Sepulchre
Sisto Badalocchio
Pen and brown ink, brush and brown wash, highlighted with white · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Asia, from "The Four Continents"
Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Europe, from "The Four Continents"
Allegory of Europe, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci, Italian
Engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
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