Database / Artworks
Artworks
Pietro Bacci Aretino (1492–1556)
Leone Leoni
Bronze · 1537
The Metropolitan Museum of Art
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro
Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso) · 1537
The Metropolitan Museum of Art
The Deposition from the Cross
Domenico Campagnola, Italian
Pen and brown ink · 1537
The Metropolitan Museum of Art
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper · 1537
The Metropolitan Museum of Art
Design for the End Pier of a Table
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, over black chalk · 1537
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Saint Philip
Domenico Beccafumi
Chiaroscuro woodcut (key block) · 1535
The Metropolitan Museum of Art
Four Doctors of the Church
Domenico Beccafumi
Chiaroscuro woodcut in two blocks in light green · 1535
The Metropolitan Museum of Art
Saint Roch
Battista Angolo del Moro
Etching · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art
Temperance
Peter Flötner
bronze · 1535
The Metropolitan Museum of Art
"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."
Albrecht Dürer
Illustrated book · 1535
The Metropolitan Museum of Art
Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)
Pirro Ligorio
Red chalk on beige paper (recto); pen and brown ink (verso) · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
Saltcellar (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art