Database / Artworks
Artworks
Plan of Ancient Rome, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
The Jews Collecting the Twelve Stones from the River Jordan
Pieter Coecke van Aelst
Pen and brown ink, brush and brown wash, over black chalk; squared in black chalk · 1530
The Metropolitan Museum of Art
Double Goblet with Oval Decorations
Hans Sebald Beham
Engraving · 1530
The Metropolitan Museum of Art
Falling Buffe for a Helmet
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art
Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
Portrait of an unidentified gentleman
Léonard Limosin
Painted enamel on copper · 1530
The Metropolitan Museum of Art
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art
An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Holbein, Hans, the younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art
Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Cornelis Cort
Engraving · 1530
The Metropolitan Museum of Art
Portrait of a Man with Gloves
Corneille (Guillaume van Beverloo)
Oil on wood · 1530
The Metropolitan Museum of Art
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art
Mars and Venus
Marco Angolo del Moro
Engraving · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art