Database / Artworks
Artworks
Allegory of America, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
Guido Reni
Etching · 1585
The Metropolitan Museum of Art
The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery
Guido Reni
Etching · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Globular vase
Domenico Veneziano
Maiolica (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
The Virgin Surrounded by Angels and Representatives of Secular and Ecclesiastical Authorities
Pieter de Jode I
Pen and brown ink, brush and brown wash; framing lines in pen and brown ink; indented for transfer · 1585
The Metropolitan Museum of Art
Ecce Homo
Hans von Aachen
Pen and brown ink, brush and gray wash, over black chalk · 1585
The Metropolitan Museum of Art
Standing Angel Brandishing a Sword
Ferraù Fenzoni
Pen and brown ink, brush and brown wash, over black chalk · 1585
The Metropolitan Museum of Art
Basin
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Ewer
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
The Holy Women at the Sepulchre
Sisto Badalocchio
Pen and brown ink, brush and brown wash, highlighted with white · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Agostino Carracci
Engraving, second state · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Porta, Guglielmo della
Bronze · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Porta, Guglielmo della
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Saints John the Evangelist, Paul, Peter, and Stephen
Ferraù Fenzoni
Black chalk, pen and brown ink, brush and brown wash · 1585
The Metropolitan Museum of Art
Mars and Venus Trapped by Vulcan
Porta, Guglielmo della
Gilt bronze · 1585
The Metropolitan Museum of Art
The Last Communion of Saint Jerome
François Perrier
Etching · 1584
The Metropolitan Museum of Art
Tutte l'opere d'architettura
Sebastiano Serlio
Printed book with woodcut illustrations · 1584
The Metropolitan Museum of Art
Boat Moored on a Beach by a Wooden Palisade (recto); Study of Trees (verso)
Jan Porcellis
Black chalk and black wash (recto); pen and brown ink (verso) · 1584
The Metropolitan Museum of Art