Database / Artworks
Artworks
Study for Ventura Mina 18
Dalton Paula
Pen and brown ink and translucent and opaque watercolors on brown wove paper · 2019
Art Institute of Chicago
Little Chief
Marcus Amerman
Seed beads, thread, and smoked brain-tanned hide on framework · 2019
Art Institute of Chicago
Pulling off James Brown’s skinny flowery pants (Icon Matheu, makeup artist Akanbi Ade), from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Interlace, Woven Research
Irma Boom
Book · 2019
Art Institute of Chicago
Gerco de Ruyter, Grid Corrections
Irma Boom
Book · 2019
Art Institute of Chicago
we are opposite like that
Himali Singh Soin
Single-channel video, color, sound, 12 min 54 sec · 2019
Art Institute of Chicago
Warrior Rider
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Waterfall
Hiroshi Senju
Two pairs of six-panel folding screens
Acrylic and fluorescent pigments on Japanese mulberry paper · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Leslie Hewitt Reading 2.1511: That Is How a Picture Is Attached to Reality: It Reaches Right Out to It
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Uche, All Dressed Up, from the series "The Royal House of Allure"
Sabelo Mlangeni
Inkjet print · 2019
Art Institute of Chicago
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled, from the series "Jaguar Informative"
Yná Kabe Rodríguez
Ink on paper · 2019
Art Institute of Chicago
Room 31, Southeast, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago
Toolkit for La Rentrada
Maria Elena Pombo
Avocado seeds, avocado seed brick, avocado seed taparita, avocado seed plastic, avocado
seed leather, avocado seed glass, avocado seed powder, avocado seed oil, avocado seed
water, glycerin, sodium alginate, sargassum algae, tropical pine resin brick, tropical pine resin, and glass containers · 2019
Art Institute of Chicago
Untitled (Nina Challenge #4)
Amanda Williams
Collage of torn, printed papers on white wove paper · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Albert Oehlen
Lacquer and oil on Dibond · 2019
Art Institute of Chicago
Study for ‘Medusa’s Flight’
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
THE AIDS CRISIS IS STILL BEGINNING
Gregg Bordowitz
Vinyl · 2019
Art Institute of Chicago
Sleep over, from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago