Database / Artworks
Artworks
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Horatio Coclès Saving Himself by Swimming
Diana Scultori
Engraving · 1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art
Scenes from the Life of Joseph
Pierre Reymond
Painted enamel on copper, partly gilt; gilded metal finial of later date · 1530
The Metropolitan Museum of Art
Mars and Venus
Marco Angolo del Moro
Engraving · 1530
The Metropolitan Museum of Art
The Adoration of the Shepherds
Pieter van der Heyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Mars, Venus, and Cupid
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Vamplate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, gold, paint · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art
An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Crinet Plate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Portrait of Pope Pius IV
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Portrait of Pope Pius IV
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art
Lot and His Daughters
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art