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Artworks
Mark in Front of Self-Portrait
Beth Van Hoesen
Graphite on cream wove paper · 1966
Art Institute of Chicago
Artist and Self-Portrait
Beth Van Hoesen
Etching on in black ivory wove paper · 1966
Art Institute of Chicago
W. Seated from Selections from The Nude Man
Beth Van Hoesen
Etching and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
P. Standing from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
J. Seated from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Father and Son from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
W. Profile from Selections from The Nude Ma
Beth Van Hoesen
Engraving and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Seated from Selections from The Nude Man
Beth Van Hoesen
Etching from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Back from Selections from The Nude Man
Beth Van Hoesen
Engraving from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Foreshortened from Selections from The Nude Man
Beth Van Hoesen
Etching from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Tattoo from Selections from The Nude Man
Beth Van Hoesen
Etching and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
H. Seated from Selections from The Nude Man
Beth Van Hoesen
Etching and aquatint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Sun Tan from Selections from The Nude Man
Beth Van Hoesen
Etching and aquatint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
The Nude Man
Beth Van Hoesen
Book of twenty etchings (six with drypoint and six with aquatint), four drypoints, and one engraving · 1965
Museum of Modern Art
Selections from The Nude Man
Beth Van Hoesen
Portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art
Mark Holding Magnifying Glass
Beth Van Hoesen
Graphite on ivory wove paper · 1963
Art Institute of Chicago
Radishes
Beth Van Hoesen
Etching and drypoint · 1962
Museum of Modern Art