Database / Artworks
Artworks

King David’s Sacrifice
Felice Giani
brush on chalk, paper · 1812
Rijksmuseum

The Three Fates
Felice Giani
Pen and brown ink and brush and brown wash, over traces of graphite, heightened with white gouache on buff laid paper · 1810
Art Institute of Chicago

Angelica Resting Under a Tree, from Orlando Furioso
Felice Giani
Pen and brown ink, and brush and brown and gray wash, over graphite, on ivory wove paper · 1810
Art Institute of Chicago

Draughtsmen in the Woods around Marescalchi, near Bologna
Felice Giani
pen on paper · 1810
Rijksmuseum

Magician Healing Sick Man
Felice Giani
Pen and brown ink, with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on tan laid paper · 1798
Art Institute of Chicago

Study of Five Vases or Urns
Felice Giani
Pen and gray ink, brush and brown wash, over freehand graphite and ruling, borders in blue wash · 1785
The Metropolitan Museum of Art

Karikatuur van Giovanni Basttista Scarabelli
Felice Giani
pen on ink, paper · 1785
Rijksmuseum

An Artist and His Model
Felice Giani
Pen and brown ink, brush and brown wash, highlighted with white, on gray-brown washed paper · 1773
The Metropolitan Museum of Art

Design for a Ceiling
Felice Giani
Graphite, pen and ink with brown wash · 1760
The Metropolitan Museum of Art

Design for a Ceiling with Decoration Related to Virgil's Sixth Canto
Felice Giani
Pen and brown ink, brush and yellow, pink, blue and green wash over leadpoint; vertical line in leadpoint through the center to create the symmetry of the drawing and to other vertical lines parallels to the one on the center · 1758
The Metropolitan Museum of Art

Design for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto
Felice Giani
Pen and brown ink, brush and pink, yellow, orange and blue-green wash, over leadpoint · 1758
The Metropolitan Museum of Art

Two sculptures on pedestals
Felice Giani
Brown pen and ink and wash · 1758
The Metropolitan Museum of Art

Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago