Database / Artworks
Artworks
Donkey
Pieter van Laer
Black chalk and gray wash. Ruled border in pen and brown ink. Laid down. · 1600
The Metropolitan Museum of Art
The deluge, figures being pulled from the water
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
Europeans Engaging in Commerce and Trade in Asia
Pieter van Laer
Pen, brown ink, and gray wash on paper; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art
Study Sheet with Two Seated Children and an Angel
Hendrick von Goudt
Pen and brown ink; framing lines in pen and light brown ink · 1600
The Metropolitan Museum of Art
Ten Men and Four Boys Singing in a Church
Pieter de Jode II
Etching and engraving · 1600
The Metropolitan Museum of Art
Jonah and the Whale
Luca Ciamberlano
Engraving · 1600
The Metropolitan Museum of Art
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma
Black chalk, highlighted with white chalk, on blue paper faded to gray-green · 1600
The Metropolitan Museum of Art
The Elements: Fire
Christoph Murer
Painted and stained glass · 1600
The Metropolitan Museum of Art
"Diana, Goddess of the Hunt", Folio from the Davis Album
Ali
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Scene of Africa (Allegory?)
Pieter van Laer
Pen and brown ink, brush and gray wash, traces of red chalk; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Standing Male Nude
Agostino Ciampelli
Red chalk · 1600
The Metropolitan Museum of Art
Henry IV, King of France (b. 1553, r. 1589–1610)
Guillaume
Steel, inlaid gold, gilt · 1600
The Metropolitan Museum of Art
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
The sacrifice of Isaac by his father Abraham
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Shrine
Matthias Walbaum
Ebony, silver, gilded silver, gouache on parchment · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art