Database / Artworks
Artworks
Landscape with view of a village (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art
Bust of Pseudo-Seneca
Peter Paul Rubens
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art
Design for a Tabernacle
Pierre Puget
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Tail-piece: Woman's Head (Cul-de-lampe: Buste de femme)
Claude Mellan
Engraving · 1600
The Metropolitan Museum of Art
Lioness
Giovanni Francesco Susini
Bronze · 1600
The Metropolitan Museum of Art
Framed Landscape with a View of Castel Durante with a Figure Holding an Inscribed Plaque in the Foreground
Ercole Bazicaluva
Pen and dark brown ink · 1600
The Metropolitan Museum of Art
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli
Pen and brown ink, brush and brown wash, over black chalk (incised for transfer) · 1600
The Metropolitan Museum of Art
Fan leaf with acanthus scrolls and dolphins
Nicolas Pierre Loir
Etching · 1600
The Metropolitan Museum of Art
Study of a Blasted Tree Trunk and Branches
Simon de Vlieger
Black chalk, brown wash, heightened with yellowish white chalk. Framing line in pen and black ink · 1600
The Metropolitan Museum of Art
St. Bonifacius and St. Homobonus, Patron Saints of Tailors
Pieter de Jode II
Engraving · 1600
The Metropolitan Museum of Art
Blackwork Print with the Alphabet
Claes Jansz. Visscher
Blackwork · 1600
The Metropolitan Museum of Art
Two Angels Seated on Clouds
Claude Mellan
Etching; second state of two · 1600
The Metropolitan Museum of Art
Blackwork Print with a Latin Cross and Four Motifs
Claes Jansz. Visscher
Blackwork · 1600
The Metropolitan Museum of Art
Blackwork Print with Nine Motifs
Claes Jansz. Visscher
Blackwork · 1600
The Metropolitan Museum of Art
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art