Database / Artworks
Artworks

The Angelic Guards
James Barry
Etching and engraving; fourth state of four · 1808
The Metropolitan Museum of Art

Divine Justice
James Barry
Etching and engraving; final published state · 1808
The Metropolitan Museum of Art

Pandora
James Barry
Engraving in black on ivory wove paper · 1804
Art Institute of Chicago

Milton Dictating to Ellwood the Quaker
James Barry
Etching and engraving with some aquatint on ivory wove paper · 1804
Art Institute of Chicago

Eastern Patriarch, from the first issue of Specimens of Polyautography
James Barry
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper · 1803
Art Institute of Chicago

The Thames, or the Triumph of Navigation
James Barry
Etching with engraving; second state of five · 1792
The Metropolitan Museum of Art

De bekroning van de winnaars te Olympia
James Barry
etching on paper, ink · 1792
Rijksmuseum

The Thames, or The Triumph of Navigation
James Barry
Etching with engraving on cream laid paper · 1791
Art Institute of Chicago

A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc.
James Barry
Etching and engraving; unrecorded alternate third state of four · 1791
The Metropolitan Museum of Art

Orpheus Instructing a Savage People in Theology and the Arts of Social Life
James Barry
Etching and engraving; second state of three · 1791
The Metropolitan Museum of Art

The Conversion of Polemon
James Barry
Etching with engraving and roulette and traces of aquatint; ninth state of nine · 1778
The Metropolitan Museum of Art

Job Reproved by His Friends
James Barry
Etching over traces of aquatint; third state of five · 1777
The Metropolitan Museum of Art

Study for Commerce or the Triumph of the Thames
James Barry
Pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper · 1767
Art Institute of Chicago

Antique Mosaic in the Barberini Palace
James Barry
Pen and brown ink, with brush and gray and brown wash, on ivory laid paper · 1761
Art Institute of Chicago

Head of Neptune
James Barry
Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper · 1700
Art Institute of Chicago