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Artworks

11,218 records by Jean-Jacques Bachelier, French · Met Museum
Stove panel
Stove panel
Utility
Lead-glazed earthenware · 1500
The Metropolitan Museum of Art
The Nativity
The Nativity
Bernardino Fungai
Oil and gold on wood · 1500
The Metropolitan Museum of Art
Time Rewarding Work and Punishing Laziness
Time Rewarding Work and Punishing Laziness
Robert Boissard
Engraving · 1500
The Metropolitan Museum of Art
Christ and the Apostles on the way to Emmaus
Christ and the Apostles on the way to Emmaus
Peter Flötner
Gilt bronze · 1500
The Metropolitan Museum of Art
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Engraving · 1500
The Metropolitan Museum of Art
Saint John the Baptist
Saint John the Baptist
Girolamo Mocetto
Engraving; second state · 1500
The Metropolitan Museum of Art
The Meditation on the Passion
The Meditation on the Passion
Vittore Carpaccio
tempera · 1500
The Metropolitan Museum of Art
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Engraving · 1500
The Metropolitan Museum of Art
Study for the Ascension of the Virgin
Study for the Ascension of the Virgin
Marco dal Pino
Pen and brown ink, brush and brown wash, squared in black chalk · 1500
The Metropolitan Museum of Art
Backplate and Hoguine (Rump Defense) from a Costume Armor
Backplate and Hoguine (Rump Defense) from a Costume Armor
Kolman Helmschmid
Steel, gold · 1500
The Metropolitan Museum of Art
Putto with Viol
Putto with Viol
Niccolò Roccatagliata
Bronze, dark green marble plinth · 1500
The Metropolitan Museum of Art
Judith with the Head of Holofernes
Judith with the Head of Holofernes
Girolamo Mocetto
Engraving · 1500
The Metropolitan Museum of Art
Madonna and Child Enthroned with Saints
Madonna and Child Enthroned with Saints
Raphael
oil paint · 1499
The Metropolitan Museum of Art
The Agony in the Garden
The Agony in the Garden
Raphael
Oil on wood · 1499
The Metropolitan Museum of Art
Tondo
Tondo
Giovanni della Robbia
Tin-glazed terracotta · 1497
The Metropolitan Museum of Art
The Resurrection
The Resurrection
Perugino
Tempera on wood · 1497
The Metropolitan Museum of Art
Tondo
Tondo
Benedetto Buglioni
Tin-glazed terracotta · 1497
The Metropolitan Museum of Art
Landscapes
Landscapes
Tang Yin
Eight album leaves mounted as a handscroll; ink and color on silk · 1497
The Metropolitan Museum of Art
Drunken Fisherman by a Reed Bank
Drunken Fisherman by a Reed Bank
Tang Yin
Hanging scroll; ink on paper · 1497
The Metropolitan Museum of Art
The Resurrection
The Resurrection
Pietro Perugino
Tempera on wood · 1497
The Metropolitan Museum of Art
Ink Bamboo
Ink Bamboo
Tang Yin
Handscroll; ink on paper · 1497
The Metropolitan Museum of Art
Saints Christopher, Eustace, and Erasmus (Three Helper Saints)
Saints Christopher, Eustace, and Erasmus (Three Helper Saints)
Tilman
Limewood · 1497
The Metropolitan Museum of Art
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci
Pen and brown ink (recto and verso) · 1496
The Metropolitan Museum of Art
Landscape with a Goat
Landscape with a Goat
Titian
Pen and brown ink; framing lines in pen and brown ink · 1495
The Metropolitan Museum of Art
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