Database / Artworks
Artworks

Anagram in Honor of Charles III, Duke of Lorraine and Bar
Aegidius Sadeler, II
Pen and brown, red and black ink, brown wash, white gouache; incised construction lines · 1590
The Metropolitan Museum of Art

Study of a Seated Nude, Bearded Man in Half-Length
Francisco Herrera the Elder
Pen and brown ink · 1590
The Metropolitan Museum of Art

Anagram in Honor of Charles III, Duke of Lorraine and Bar
Aegidius Sadeler II
Pen and brown, red and black ink, brown wash, white gouache; incised construction lines · 1590
The Metropolitan Museum of Art

A Young Boy Seen from Behind, holding a sword and cap
Matteo Rosselli
Red chalk · 1590
The Metropolitan Museum of Art

A Temple in a Courtyard (Pool of Bethesda)
Adam Elsheimer
Pen and brown ink, brush and gray wash · 1590
The Metropolitan Museum of Art

'Aer' in a Decorative Border with Birds, from a Series of Circular Designs with the Four Elements
Crispijn de Passe the Elder
Engraving · 1590
The Metropolitan Museum of Art

A Young Boy Seen from Behind, holding a sword and cap
Matteo Rosselli
Red chalk · 1590
The Metropolitan Museum of Art

Design for an Ornamental Panel with the Figure of Astronomy
Johann Matthias Kager
Pen and black ink, brush and gray wash and ochre washes. · 1590
The Metropolitan Museum of Art

The Destruction of the Pharaoh’s Army
Hendrick de Clerck
Pen and brown ink, brown wash, over black chalk, squared in black chalk for transfer · 1590
The Metropolitan Museum of Art

Saint Roch at right distributing alms to a group of people gathered around him, after Annibale Caracci
Francesco Brizio
Etching; counterproof · 1590
The Metropolitan Museum of Art

'Aqua' in a Decorative Border with Sea Creatures, from a Series of Circular Designs with the Four Elements
Crispijn de Passe the Elder
Engraving · 1590
The Metropolitan Museum of Art

Christ and the Woman Taken in Adultery
Belisario Corenzio
Brush and blue wash, over slignt traces of black chalk · 1590
The Metropolitan Museum of Art

Study for the Decoration of an Apse: Saints and Angels in Glory with God the Father Above
Belisario Corenzio
Brush, blue and brown wash, highlighted with white, over a little black chalk, on beige paper · 1590
The Metropolitan Museum of Art

The Presentation of the Virgin in the Temple
Belisario Corenzio
Pen and brown ink, brush and brown wash, highlighted with white, on gray-green paper · 1590
The Metropolitan Museum of Art

Study for a Pendentive: Figures of Saint Peter and Saint Paul
Belisario Corenzio
Brush and brown wash, highlighted with white, on blue paper · 1590
The Metropolitan Museum of Art

Study for a Pendentive: Figures of Saint Peter and Saint Paul
Belisario Corenzio
Brush and brown wash, highlighted with white, on blue paper · 1590
The Metropolitan Museum of Art

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci, Italian
Engraving · 1590
The Metropolitan Museum of Art

Study for the Decoration of an Apse: Saints and Angels in Glory with God the Father Above
Belisario Corenzio
Brush, blue and brown wash, highlighted with white, over a little black chalk, on beige paper · 1590
The Metropolitan Museum of Art

The Presentation of the Virgin in the Temple
Belisario Corenzio
Pen and brown ink, brush and brown wash, highlighted with white, on gray-green paper · 1590
The Metropolitan Museum of Art

Battle Scene
Belisario Corenzio
Pen and brown ink, brush and blue wash, over black chalk; squared in black chalk · 1590
The Metropolitan Museum of Art

Mounted Warrior with a Baton Giving Orders to His Troops
Belisario Corenzio
Pen and brown ink, brush and blue wash, over black chalk. Squared in black chalk · 1590
The Metropolitan Museum of Art

A Kneeling King of France Holding the Scepters of Royal Authority
Jean Boucher
Black chalk heightened with white on brown washed paper · 1590
The Metropolitan Museum of Art

Saint Cecilia. Vita et matyrium S. et gloriosae...
Bernardino Passeri
Woodcut · 1590
The Metropolitan Museum of Art

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
Engraving · 1590
The Metropolitan Museum of Art