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Artworks

16 records by Maria Martins
Plate from Le Surréalisme en 1947
Plate from Le Surréalisme en 1947
Maria Martins
Etching and aquatint from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art
The Road; The Shadow; Too Long, Too Narrow
The Road; The Shadow; Too Long, Too Narrow
Maria Martins
Bronze and wood · 1946
Museum of Modern Art
The Impossible, III
The Impossible, III
Maria Martins
Bronze · 1946
Museum of Modern Art
Explanation I (Explication I) from Maria 1946
Explanation I (Explication I) from Maria 1946
Maria Martins
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Like a Vine (Comme une liane) from Maria 1946
Like a Vine (Comme une liane) from Maria 1946
Maria Martins
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Explanation IV (Explication IV) from Maria 1946
Explanation IV (Explication IV) from Maria 1946
Maria Martins
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Explanation III (Explication III) from Maria 1946
Explanation III (Explication III) from Maria 1946
Maria Martins
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Wrapper front from Maria 1946
Wrapper front from Maria 1946
Maria Martins
Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Explanation II (Explication II) from Maria 1946
Explanation II (Explication II) from Maria 1946
Maria Martins
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Implacable Place (Place à l'implacable) from Maria 1946
Implacable Place (Place à l'implacable) from Maria 1946
Maria Martins
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Iacy from Maria 1946
Iacy from Maria 1946
Maria Martins
Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Maria 1946
Maria 1946
Maria Martins
Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures · 1946
Museum of Modern Art
Without Echo (Sans-écho) from Maria 1946
Without Echo (Sans-écho) from Maria 1946
Maria Martins
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Impossible from Maria 1946
Impossible from Maria 1946
Maria Martins
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving · 1946
Museum of Modern Art
Babassú
Babassú
Maria Martins
Bronze · 1943
Art Institute of Chicago
Christ
Christ
Maria Martins
Jacaranda wood · 1941
Museum of Modern Art