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Artworks

23 records by Jacopo Negretti, called Palma Giovane
Jacob and Rachel at the Well
Jacob and Rachel at the Well
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1680
Art Institute of Chicago
Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso)
Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink with brush and brown wash, heightened with lead white, over black chalk, on tan laid paper, squared in black chalk (recto), and pen and brown ink over black chalk on tan laid paper (verso) · 1613
Art Institute of Chicago
Personfication of Fame
Personfication of Fame
Jacopo Negretti, called Palma Giovane
Etching, with engraving, on ivory laid paper · 1611
Art Institute of Chicago
Study for the Adoration of the Magi
Study for the Adoration of the Magi
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid paper, laid down on cream wove card · 1610
Art Institute of Chicago
Saint Lawrence
Saint Lawrence
Jacopo Negretti, called Palma Giovane
Pen and brown ink with brush and brown wash, heightened with lead white, on brown laid paper, laid down on ivory wove paper · 1609
Art Institute of Chicago
Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)
Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)
Jacopo Negretti, called Palma Giovane
Etching in black on cream laid paper · 1606
Art Institute of Chicago
Study for St. Mark (recto); Sketch of Half-length Male Figure, Looking Upwards to Right (verso)
Study for St. Mark (recto); Sketch of Half-length Male Figure, Looking Upwards to Right (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink (recto), and red chalk (verso), on ivory laid paper · 1602
Art Institute of Chicago
Study for the Flagellation of Christ
Study for the Flagellation of Christ
Jacopo Negretti, called Palma Giovane
Pen and brown ink and brush and brown wash, with black chalk, heightened with touches of white gouache, on dark buff laid paper · 1600
Art Institute of Chicago
Head of a Man
Head of a Man
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, over black chalk underdrawing on ivory laid paper, laid down on gray laid paper, tipped onto cream laid paper · 1600
Art Institute of Chicago
Fame Blowing on a Trumpet
Fame Blowing on a Trumpet
Jacopo Negretti, called Palma Giovane
Red chalk on ivory laid paper, laid down on card · 1600
Art Institute of Chicago
Virgin and Child with Saints Thomas and John the Baptist (recto); Sleeping Venus (verso)
Virgin and Child with Saints Thomas and John the Baptist (recto); Sleeping Venus (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, with traces of graphite, with later additions of yellow-gray wash along right side (recto), and pen and brown ink (verso) on ivory laid paper · 1600
Art Institute of Chicago
Head of Bearded Old Man (recto); Decorative Sketch of Flower and Leaves (verso)
Head of Bearded Old Man (recto); Decorative Sketch of Flower and Leaves (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink (recto and verso) on vellum · 1600
Art Institute of Chicago
Two Sketches of Male Nudes, One Kneeling, One Standing (recto); Three Sketches: Seated Male Nude, Reclining Male Nude, Male Head in Profile (v erso)
Two Sketches of Male Nudes, One Kneeling, One Standing (recto); Three Sketches: Seated Male Nude, Reclining Male Nude, Male Head in Profile (v erso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink on tan laid paper (recto and verso), edge mounted · 1600
Art Institute of Chicago
Sketches of Heads, Eyes, Ear, and Mouth
Sketches of Heads, Eyes, Ear, and Mouth
Jacopo Negretti, called Palma Giovane
Pen and brown ink, on ivory laid paper, tipped onto ivory laid paper · 1600
Art Institute of Chicago
Saint Justina of Padua Enthroned, with Saints James the Less and John the Baptist
Saint Justina of Padua Enthroned, with Saints James the Less and John the Baptist
Jacopo Negretti, called Palma Giovane
Pen and brown ink with brush and brown wash, heightened with lead white, over black chalk, on ivory laid paper, laid down on cream laid card · 1600
Art Institute of Chicago
Andriana Palma and Diogenes the Cynic
Andriana Palma and Diogenes the Cynic
Jacopo Negretti, called Palma Giovane
Pen and brown ink, on ivory laid paper, laid down on ivory laid paper · 1596
Art Institute of Chicago
Studies for the Crowning with Thorns
Studies for the Crowning with Thorns
Jacopo Negretti, called Palma Giovane
Pen and brown ink with brush and brown wash, on ivory laid paper, laid down on ivory laid paper · 1592
Art Institute of Chicago
Study for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and Verona, with Doge Francesco Venier Presenting Them
Study for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and Verona, with Doge Francesco Venier Presenting Them
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, with graphite, on ivory laid paper, laid down on ivory laid card · 1591
Art Institute of Chicago
The Entombment of Christ
The Entombment of Christ
Jacopo Negretti, called Palma Giovane
Pen and brown ink and brush and brown wash, heightened with gold metallic paint, on blue laid paper, laid down on thin tan laid paper · 1590
Art Institute of Chicago
Portrait of a Gentleman
Portrait of a Gentleman
Jacopo Negretti, called Palma Giovane
Oil on canvas · 1585
Art Institute of Chicago
Study for Venice, Crowned by Victory, Receiving Her Subject Peoples
Study for Venice, Crowned by Victory, Receiving Her Subject Peoples
Jacopo Negretti, called Palma Giovane
Pen and black and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on laid paper prepared with orange wash, laid down on tan laid paper · 1578
Art Institute of Chicago
Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso)
Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper · 1575
Art Institute of Chicago
The Flagellation of Christ
The Flagellation of Christ
Jacopo Negretti, called Palma Giovane
Pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised · 1544
Art Institute of Chicago