Database / Artworks
Artworks
Barberini Cabinet
Florence
Oak and poplar veneered with various exotic hardwoods, with ebony moldings and plaques of marble, slate (paragon); pietre dure work consisting of colored marbles, rock crystal, and various hardstones · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 58 (verso)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 25 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Virgin Interceding for Those in Purgatory
Alonso Cano
Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>) · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 96 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 108 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Angels Ministering to St. Sebastian
Alonso Cano
Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 91 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Engraving of Firearms Ornament from the Pattern Book <i>Plusieurs pieces de l'arquebuzerie / recueillies et inventeés par Francois Marcou</i>
C. Jacquinet
Ink, paper · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 46 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Kneeling Woman
Mattia Preti
Red chalk on light brown paper · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Equestrian statuette, possibly of Philip IV, King of Spain
Pietro Tacca
Bronze, on later wood base · 1600
The Metropolitan Museum of Art
The Elements: Earth
Christoph Murer
Painted and stained glass · 1600
The Metropolitan Museum of Art
Landscape with view of a village (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art
Landscape
Wang Hui 王翚
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Page of Calligraphy
Muhammad Husain Kashmiri
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Portrait of Islam Khan Mashhadi
Payag
Opaque watercolor and gold on paper · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Pine Tree (obverse); Landscape (reverse)
Kano School
Two-panel folding screen; ink, color, and gold on paper (obverse); ink and color on paper (reverse side) · 1600
The Metropolitan Museum of Art
Child reclining
Rombout Verhulst
Marble · 1600
The Metropolitan Museum of Art
The Elevation of the Cross from a set of The Passion
Hans Wechtlin
Wool, silk, metal thread (20 warp threads per inch, 8 per cm.) · 1600
The Metropolitan Museum of Art