Database / Artworks
Artworks
La Fête du Mai
Jean Baptiste Joseph Pater
Oil on panel · 1705
Art Institute of Chicago
Arrival of the Korean Embassy in Edo
Torii Kiyonobu I
Woodblock print; oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f) · 1704
Art Institute of Chicago
Standing Man with a Hat, Facing Left, from Figures de Modes
Jean-Antoine Watteau
Etching on ivory laid paper · 1704
Art Institute of Chicago
Roger de Piles
Bernard Picart
Etching and engraving in black on paper · 1704
Art Institute of Chicago
Children Playing near Statue in Garden
John Vanderbank
Pen and brown ink with brush and brown wash, on tan laid paper · 1704
Art Institute of Chicago
Plate Three, from A New Book of Ornaments
Gribelin, Simon, II
Engraving on paper · 1704
Art Institute of Chicago
Roger de Piles
Bernard Picart
Etching and engraving in black on paper · 1704
Art Institute of Chicago
Plate One, from A New Book of Ornaments
Gribelin, Simon, II
Engraving on ivory laid paper · 1704
Art Institute of Chicago
Plate Eight, from Book of Ornament
Gribelin, Simon, II
Engraving on paper · 1704
Art Institute of Chicago
Plate Seven, from Book of Ornament
Gribelin, Simon, II
Engraving on paper · 1704
Art Institute of Chicago
Plate Eleven, from A New Book of Ornaments
Gribelin, Simon, II
Engraving on paper · 1704
Art Institute of Chicago
Plate Five, from Book of Ornament
Gribelin, Simon, II
Engraving on paper · 1704
Art Institute of Chicago
Plate Six, from Book of Ornament
Gribelin, Simon, II
Engraving on paper · 1704
Art Institute of Chicago
Roger de Piles
Bernard Picart
Etching and engraving in black on paper · 1704
Art Institute of Chicago
Children Playing near Statue in Garden
John Vanderbank
Pen and brown ink with brush and brown wash, on tan laid paper · 1704
Art Institute of Chicago
Arrival of the Korean Embassy in Edo
Torii Kiyonobu I
Woodblock print; oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f) · 1704
Art Institute of Chicago
A Bewigged Painter (Possibly Claude Audran), Seated at his Easel, Seen in Profile
Jean-Antoine Watteau
Red chalk on buff laid paper, laid down on cream laid card · 1704
Art Institute of Chicago
Jules Hardouin Mansart
Gérard Edelinck
Engraving on paper · 1704
Art Institute of Chicago
Sampler
Rebecah Garland
Linen, plain weave; embroidered with silk floss in Algerian eye, buttonhole, cross and marking cross stitches; laid work and couching · 1704
Art Institute of Chicago
Sampler
Lucy Garland
Linen, plain weave; embroidered with silk floss and yarns in Algerian eye, buttonhole, chain, half cross, individual back, marking cross, two-sided cross and trammed cross stitches; laid work, couching and French knots · 1704
Art Institute of Chicago
Allegory of Spring, or the Young Gardeners
Jean-Antoine Watteau
Red chalk on buff laid paper, laid down on white laid paper · 1704
Art Institute of Chicago
Arrival of the Korean Embassy in Edo
Torii Kiyonobu I
Woodblock print; oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f) · 1704
Art Institute of Chicago
Raising of Lazarus
Marco Benefial
Brush and gray wash, squared in black chalk, on cream laid paper · 1704
Art Institute of Chicago
Arrival of the Korean Embassy in Edo
Torii Kiyonobu I
Woodblock print; oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f) · 1704
Art Institute of Chicago