Database / Artworks
Artworks
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Domenico Beccafumi
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) · 1531
The Metropolitan Museum of Art
Officia M.T.C. Von den tugentsamen ämptern
Cicero
Woodcuts · 1531
The Metropolitan Museum of Art
The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Portrait of a Man with Gloves
Corneille (Guillaume van Beverloo)
Oil on wood · 1530
The Metropolitan Museum of Art
Right Shoulder and Arm Defense
Wolfgang Grosschedel
Steel, leather, copper alloy · 1530
The Metropolitan Museum of Art
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art
Mars and Venus
Marco Angolo del Moro
Engraving · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art
Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art
Design for a Candlestick
Giulio Romano
Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
The Adoration of the Shepherds
Pieter van der Heyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Scenes from the Life of Joseph
Pierre Reymond
Painted enamel on copper, partly gilt; gilded metal finial of later date · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art