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Artworks

Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago

Moses Drawing Water from the Rock
Charles Le Brun
Brush and gray wash, with touches of green and black chalk, on ivory laid paper, squared in black chalk · 1700
Art Institute of Chicago

Mater Dolorosa
Pierre Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago

Flower Vase (one of a pair)
Grieksche A Factory
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago

Sketches of Four Draped Female Figures (for Pendentives)
Pierre Hubert Subleyras
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Joseph Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Judith Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Child's Head (Recto) Nude Male Figure (Verso)
Antonio Allegri Da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

The Tent, from an Indo-Chinese or Indian Series
John Vanderbank
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Antonietta Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Antonietta Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Assumption (recto) Portrait Heads, various Sketches (verso)
Guido Canlassi
Red chalk with brush and brown and gray wash (recto). Graphite with brush and gray green and brown wash (verso) on ivory laid paper, tipped onto cream laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael-Schwartz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael-Schwartz
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago

Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)
Thomas Banks
Black chalk with brown ink inscriptions (recto) and black chalk (verso) on ivory laid paper · 1700
Art Institute of Chicago

Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago

Portrait of a man
Richard Crosse
oil paint · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Kirchner
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Delorme
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Robert Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago