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Artworks

18 records by John Everett Millais
MoMAMet MuseumArt Institute ChicagoCleveland MuseumShow all
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Portia
Portia
John Everett Millais
Oil on canvas · 1886
The Metropolitan Museum of Art
The Baby-House
The Baby-House
John Everett Millais
etching on chine applique · 1872
National Gallery of Art
Going to the Park
Going to the Park
John Everett Millais
Etching on cream chine, laid down on ivory wove paper (chine collé) · 1872
Art Institute of Chicago
The Unjust Judge and the Importunate Widow (The Parables of Our Lord and Saviour Jesus Christ)
The Unjust Judge and the Importunate Widow (The Parables of Our Lord and Saviour Jesus Christ)
John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)
The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)
John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Labourers in the Vineyard (The Parables of Our Lord and Saviour Jesus Christ)
The Labourers in the Vineyard (The Parables of Our Lord and Saviour Jesus Christ)
John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Unmerciful Servant (The Parables of Our Lord and Saviour Jesus Christ)
The Unmerciful Servant (The Parables of Our Lord and Saviour Jesus Christ)
John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Wicked Husbandmen (The Parables of Our Lord and Saviour Jesus Christ)
The Wicked Husbandmen (The Parables of Our Lord and Saviour Jesus Christ)
John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ)
The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ)
John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Baby House
The Baby House
John Everett Millais
Etching on cream chine, laid down on ivory wove paper · 1863
Art Institute of Chicago
Summer Indolence
Summer Indolence
John Everett Millais
Etching on ivory wove paper · 1861
Art Institute of Chicago
Happy Springtime
Happy Springtime
John Everett Millais
Etching on ivory wove chine laid down on off-white wove paper · 1860
Art Institute of Chicago
Bridge of Sighs
Bridge of Sighs
John Everett Millais
Etching on ivory chine, laid down on ivory wove paper · 1858
Art Institute of Chicago
Study for the Head of the Rescuing Lover in Escape of the Heretic
Study for the Head of the Rescuing Lover in Escape of the Heretic
John Everett Millais
Graphite and red chalk, on cream wove paper (discolored from ivory) laid down on ivory · 1857
Art Institute of Chicago
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
John Everett Millais
Graphite, with touches of pen and brown ink (recto and verso) on ivory paper · 1853
Art Institute of Chicago
Aeneas Shown the Body of Pallas from Virgil's "Aeneid"
Aeneas Shown the Body of Pallas from Virgil's "Aeneid"
John Everett Millais
pen and black ink on original mount · 1843
Cleveland Museum of Art
Study of a Pottery Jug [recto]
Study of a Pottery Jug [recto]
John Everett Millais
watercolor over graphite on wove paper · 1842
National Gallery of Art
Lovers under a Tree
Lovers under a Tree
John Everett Millais
graphite on wove paper · 1840
National Gallery of Art