Database / Artworks
Artworks
Eve, the Only One Left to Us (Éve la seule qui nous reste) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
Natural History (Histoire naturelle)
Max Ernst
Portfolio of thirty-four collotypes after frottage · 1925
Museum of Modern Art
Dadaville
Max Ernst
Painted plaster and cork on canvas · 1924
Tate
Untitled (Birds)
Max Ernst
Oil and sand on linen mounted on Masonite pressed-wood board, with cork frame by the artist · 1924
Art Institute of Chicago
Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol)
Max Ernst
Oil with painted wood elements and cut-and-pasted printed paper on wood with wood frame · 1924
Museum of Modern Art
Pietà or Revolution by Night
Max Ernst
Oil paint on canvas · 1923
Tate
Men Shall Know Nothing of This
Max Ernst
Oil paint on canvas · 1923
Tate
Woman, Old Man, and Flower (Weib, Greis und Blume)
Max Ernst
Oil on canvas · 1923
Museum of Modern Art
Au 125 du boulevard Saint-Germain
Max Ernst
Illustrated book with one drypoint · 1923
Museum of Modern Art
Celebes
Max Ernst
Oil paint on canvas · 1921
Tate
The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses)
Max Ernst
Gouache, ink, and pencil on printed paper on paperboard · 1921
Museum of Modern Art
The Massacre of the Innocents
Max Ernst
Black-and-white photograph with hand-coloring in watercolor, gouache, and black ink, laid down on tan wove wood-pulp paper · 1920
Art Institute of Chicago
Dada Gauguin
Max Ernst
Gouache and ink on printed paper · 1920
Art Institute of Chicago
Title page from Let There Be Fashion, Down with Art (Fiat modes pereat ars)
Max Ernst
Letterpress and line block · 1920
Museum of Modern Art
Plate IV from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate II from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate III from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate I from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate VII from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate V from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate VIII from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Plate VI from Let There Be Fashion, Down With Art (Fiat modes pereat ars)
Max Ernst
One from a portfolio of eight lithographs · 1920
Museum of Modern Art
Here Everything Is Still Floating (Hier ist noch alles in der Schwebe)
Max Ernst
Cut-and-pasted printed paper and pencil on printed paper on cardstock · 1920
Museum of Modern Art
Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer)
Max Ernst
Gouache and pencil on printed paper on cardstock · 1920
Museum of Modern Art