Database / Artworks
Artworks
Plate (folio 20) from Hommage à Roger Lacourière
Max Ernst
Etching from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint · 1968
Museum of Modern Art
Wrapper from 65 Maximiliana ou l'exercice illégal de l'astronomie
Max Ernst
Wrapper from an illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints · 1964
Museum of Modern Art
Page 1 from 65 Maximiliana ou l'exercice illégal de l'astronomie
Max Ernst
Page from an illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints · 1964
Museum of Modern Art
Page 16 from 65 Maximiliana or the Illegal Practice of Astronomy (65 Maximiliana ou l'exercice illégal de l'astronomie)
Max Ernst
Page from an illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints · 1964
Museum of Modern Art
65 Maximiliana or the Illegal Practice of Astronomy (65 Maximiliana ou l'exercice illégal de l'astronomie)
Max Ernst
Illustrated book with twenty-eight etchings (nine with aquatint) and six aquatints · 1964
Museum of Modern Art
Hommage a Rimbaud
Max Ernst
Etching with aquatint in two colors on paper · 1961
Art Institute of Chicago
Coquillage
Max Ernst
Color lithograph on paper · 1960
Art Institute of Chicago
The World Is a Story (Mundus est Fabula)
Max Ernst
Oil on canvas · 1959
Museum of Modern Art
Un chant d'amour
Max Ernst
Color lithograph in beige and dark blue on white wove paper · 1958
Art Institute of Chicago
Forest at Dawn (La Forêt, à l'aube)
Max Ernst
Lithograph · 1958
Museum of Modern Art
Plate (page 55) from Feuilles éparses
Max Ernst
Etching from an illustrated book with nine etchings (two with aquatint, one with aquatint and drypoint), two engravings, one aquatint, one drypoint, and one woodcut · 1958
Museum of Modern Art
Landscape
Max Ernst
Oil on glass · 1957
Art Institute of Chicago
Forest and Sun
Max Ernst
Color lithograph in black, blue, red, yellow on tan wove paper · 1956
Art Institute of Chicago
Plate from Un Poème dans chaque livre
Max Ernst
Etching and aquatint from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph · 1956
Museum of Modern Art
Man Hiding in the Forest (L'Homme se cache dans la forêt)
Max Ernst
Lithograph · 1955
Museum of Modern Art
Owl (Hibou)
Max Ernst
Lithograph · 1955
Museum of Modern Art
Plate (page 37) from Galapagos: Les Iles du bout du monde
Max Ernst
Etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
In-text plate (page 33) from Galapagos: Les Iles du bout du monde
Max Ernst
Etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
Wrapper from Galapagos: Les Iles du bout du monde
Max Ernst
Etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
Plate (page 21) from Galapagos: Les Iles du bout du monde
Max Ernst
Etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
Tailpiece (page 43) from Galapagos: Les Iles du bout du monde
Max Ernst
Etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
In-text plate (page 17) from Galapagos: Les Iles du bout du monde
Max Ernst
Etching and aquatint from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
Plate (page 27) from Galapagos: Les Iles du bout du monde
Max Ernst
Inkless etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art
In-text plate (page 32) from Galapagos: Les Iles du bout du monde
Max Ernst
Etching from an illustrated book with ten etchings (including wrapper, one with aquatint, one inkless) · 1955
Museum of Modern Art