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Artworks

98,525 records by Jean Augustin Daiwaille · Art Institute Chicago
Rock Anatomy
Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago
Rock Anatomy
Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago
More Than Real, Art in the Digital Age
More Than Real, Art in the Digital Age
Irma Boom
Book · 2018
Art Institute of Chicago
Rock Anatomy
Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago
Rock Anatomy
Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago
Santiniketan Studies (A Century Before Us II): Tapovan Study Circle
Santiniketan Studies (A Century Before Us II): Tapovan Study Circle
The Otolith Group
Inkjet print, photomontage · 2018
Art Institute of Chicago
All Directions At Once
All Directions At Once
Luiza Prado de Oliveira Martins
Website · 2018
Art Institute of Chicago
Rock Anatomy
Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago
Thank You
Thank You
Tschabalala Self
Acrylic, watercolor, flashe, crayon, colored pencil, oil pastel, pencil, hand-colored canvas, thank you bag, on canvas · 2018
Art Institute of Chicago
Sustaining Traditions—Digital Teachings
Sustaining Traditions—Digital Teachings
Kelly Church
Black ash, sweetgrass, copper and Rit dye; medicine pouch containing sage, tobacco, sweetgrass, and cedar; glass vial containing emerald ash borer and isopropyl alcohol; USB flash drive · 2018
Art Institute of Chicago
Bury the Corpse Ass Up
Bury the Corpse Ass Up
Steve Reinke
Color screenprint on white wove paper · 2018
Art Institute of Chicago
Baigneurs Sans Rien
Baigneurs Sans Rien
Paul Chan
Nylon, fans, fabric floor piece · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
Study (Uhuru Park III)
Study (Uhuru Park III)
Michael Armitage
Ink on paper · 2017
Art Institute of Chicago
The Equal and Inalienable Rights of All
The Equal and Inalienable Rights of All
Ann Hamilton
Blind embossing with reddish-brown pigment on white wove paper · 2017
Art Institute of Chicago
Museum of Capitalism
Museum of Capitalism
Project Projects
Book · 2017
Art Institute of Chicago
Matthijs Maris at Work
Matthijs Maris at Work
Irma Boom
Book · 2017
Art Institute of Chicago
man standing juggling three balls by candlelight
man standing juggling three balls by candlelight
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
Ben Patterson
24-channel sound field (24 camouflaged loudspeakers) · 2017
Art Institute of Chicago
acrobat juggling six balls by moonlight
acrobat juggling six balls by moonlight
Andrew Lord
ceramic, steel rod, and epoxy · 2017
Art Institute of Chicago
man standing juggling three balls by first light of day
man standing juggling three balls by first light of day
Andrew Lord
ceramic, steel, epoxy, and gold leaf · 2017
Art Institute of Chicago
Mind in the Machine (State of Active Work)
Mind in the Machine (State of Active Work)
Ani Liu
Brainwaves of a worker, custom knitting code, polyester, nylon · 2017
Art Institute of Chicago
Ray Yoshida Says Hi
Ray Yoshida Says Hi
Luis Romero
Translucent and opaque acrylic paint on torn cardboard and watercolor paper, stapled onto cardboard, stapled onto brown card · 2017
Art Institute of Chicago
You might be my glass world and I might be your crystal universe
You might be my glass world and I might be your crystal universe
Evelyn Taocheng Wang
Watercolor on cream, laid Chinese paper · 2017
Art Institute of Chicago
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