WATTS INDEX/database

Database / Artworks

Artworks

98,525 records by Harumi Yamaguchi · Art Institute Chicago
Female Caryatid
Female Caryatid
Perino del Vaga
Red chalk on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
The Dane
The Dane
H. Cotta
Lithograph on tan wove paper · 1700
Art Institute of Chicago
Holy Family and Saint John the Baptist
Holy Family and Saint John the Baptist
Giovanni Antonio Burrini
Brush and brown and gray wash over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Portrait of a Sculptor
Portrait of a Sculptor
Jean Baptiste Santerre
Oil on canvas · 1700
Art Institute of Chicago
Atlas of the World
Atlas of the World
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, and gilding · 1700
Art Institute of Chicago
Female Head
Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago
Pair of Flintlock Pistols
Pair of Flintlock Pistols
J. J. Behr
Walnut, brass, and gold · 1700
Art Institute of Chicago
Sketches of Ladies and Gentlemen, Dancers
Sketches of Ladies and Gentlemen, Dancers
Imitator of Jean Antoine Watteau
Pen and black ink on ivory laid paper · 1700
Art Institute of Chicago
Figures in a Rocky Landscape with Waterfall
Figures in a Rocky Landscape with Waterfall
Johann Samuel Bach
Black chalk with traces of charcoal on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael, Italian
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Thalia, Clio, and Melpomene
Thalia, Clio, and Melpomene
Giovanni Battista Cipriani
Pen and brown ink, with brush and gray wash, over black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Forest with Stream and Figures
Forest with Stream and Figures
Jean Baptiste Pillement
Black chalk, with brush and black wash, on blue prepared ground on ivory paper, laid down on card · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Sebastiano Conca
Red chalk heightened with lead white (discolored) on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Soup Tureen with Cover
Soup Tureen with Cover
Chinese export porcelain
Porcelain, enamels, and gliding · 1700
Art Institute of Chicago
Angel with Putti
Angel with Putti
Sebastiano Conca
Black chalk, heightened with white chalk, on blue laid paper · 1700
Art Institute of Chicago
View of the Thames and Greenwich Hospital
View of the Thames and Greenwich Hospital
J. Stuart Calcott
Pen and black ink, with touches of brush and black ink, on ivory laid paper · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Titian Ramsay Peale
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
Angel with Scroll
Angel with Scroll
Sebastiano Conca
Black chalk, heightened with white chalk, on blue laid paper · 1700
Art Institute of Chicago
Prometheus Taking Fire From Olympus
Prometheus Taking Fire From Olympus
Ludovico Cardi
Pen and brown ink with brush and gray wash, over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Seated Male Near Female
Seated Male Near Female
Johann Zoffany
Black chalk on ivory laid paper · 1700
Art Institute of Chicago
Waterfalls and Woods
Waterfalls and Woods
Amos Green
Pen and black ink and brush and black and gray wash on cream wove paper, laid down on cream wove paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Fleet of Ships Anchored at Sea
Fleet of Ships Anchored at Sea
Imitator of Willem van de Velde, II
Pen and black ink, with brush and gray wash, on cream laid paper, laid down on board · 1700
Art Institute of Chicago
Male Nude and Other Figures
Male Nude and Other Figures
John Hamilton Mortimer
Pen and brown ink, with brush and brown wash, over graphite, on ivory wove paper · 1700
Art Institute of Chicago
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago
Go to pageof 4,106