Database / Artworks
Artworks
Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago
Coffer
André
Oak, tortoiseshell, brass, gilded copper, gilded bronze, pewter, ebony, and oiled paper · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Assumption (recto) Portrait Heads, various Sketches (verso)
Guido Canlassi
Red chalk with brush and brown and gray wash (recto). Graphite with brush and gray green and brown wash (verso) on ivory laid paper, tipped onto cream laid paper · 1700
Art Institute of Chicago
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro
Oil on canvas · 1700
Art Institute of Chicago
Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Shammaa
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Sketch of a Male Nude Leaning on Right Elbow (recto)
Charles-Antoine Coypel
Black crayon and red chalk, on buff laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Gleitsmann
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Medal
North European
Silver · 1700
Art Institute of Chicago
Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)
Thomas Banks
Black chalk with brown ink inscriptions (recto) and black chalk (verso) on ivory laid paper · 1700
Art Institute of Chicago
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Travelers on a Winding Road
Alessio De Marchis
Brush and brown wash, with red chalk, on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Gleitsmann
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Tankard
Cornelius Kierstede
Silver · 1700
Art Institute of Chicago
The Courtesan Senzan of the Chojiya, from the series "Beauties of the Five Festivals (Bijin gosekku)"
Ichirakutei Eisui
Color woodblock print; oban · 1700
Art Institute of Chicago
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Hefti
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Jardinière
Talavera Poblana
Tin-glazed earthenware · 1700
Art Institute of Chicago
Seated Woman Crowned by Angel
Giovanni Battista Tiepolo
Pen and brown ink, with brush and gray wash, over traces of black chalk, on tan wove paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. I
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago