Database / Artworks
Artworks
Psyche Presenting the Phial of Water to Venus
Raphaelle Peale
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphaelle Peale
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Conversion of Saint Paul
Antonietta Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Antonietta Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Sketches of Figures, Landscape
Marco Antonio Franceschini
Pen and brown ink, over traces of graphite, on tan laid paper, tipped onto cream wove paper · 1700
Art Institute of Chicago
Autumn, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Winter, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Tankard
Cornelius Kierstede
Silver · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Portrait of a Young Lady
Carl-Christian Kans
1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago
Child
Jacques Philippe Bouchardon
Bronze · 1700
Art Institute of Chicago
Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago
View of an Italian Villa and Gardens (the Belvedere of the Vatican)
Jean Jacques de Boissieu
Brush and gray wash heightened with white gouache, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Assumption (recto) Portrait Heads, various Sketches (verso)
Guido Canlassi
Red chalk with brush and brown and gray wash (recto). Graphite with brush and gray green and brown wash (verso) on ivory laid paper, tipped onto cream laid paper · 1700
Art Institute of Chicago
Portrait of a Gentleman
Christian Friedrich Zincke
porcelain · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Anton Raphael Mengs
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Egil
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Rider Visiting Farm
Richard John
Pen and black ink, with brush and gray wash, on cream wove paper · 1700
Art Institute of Chicago