Database / Artworks
Artworks
Design for a Fountain with Rivergods and Nymphs
Giorgio Vasari
Pen with medium and dark brown ink, brush and gray wash, highlighted with white gouache, over graphite. Traces of framing outlines in pen with brown and black ink · 1511
The Metropolitan Museum of Art
The Judgment of Solomon, after Raphael
Biagio Pupini
Charcoal, brush and gray wash, highlighted with white, on blue paper · 1511
The Metropolitan Museum of Art
Battle Scene
Orsi
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk; squared in black chalk · 1511
The Metropolitan Museum of Art
Design for a Fountain with River Gods and Nymphs
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of leadpoint · 1511
The Metropolitan Museum of Art
The Transfiguration, after Raphael
Biagio Pupini
Brush and brown wash, highlighted with white gouache, over traces of charcoal, on blue paper · 1511
The Metropolitan Museum of Art
Triumphal Scene
Orsi
Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk · 1511
The Metropolitan Museum of Art
Judith Decapitating Holofernes
Giorgio Vasari
Pen and brown ink, brown wash · 1511
The Metropolitan Museum of Art
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Biagio Pupini
Pen and brown ink, brush and brown wash, highlighted with white, with ruled lines on beige paper (recto); rubbed with charcoal (for transfer?) and further ruled lines (verso) · 1511
The Metropolitan Museum of Art
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art
The Judgment of Solomon, after Raphael
Biagio Pupini
Charcoal, brush and gray wash, highlighted with white, on blue paper · 1511
The Metropolitan Museum of Art
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Biagio Pupini
Pen and brown ink, brush and brown wash, highlighted with white, with ruled lines on beige paper (recto); rubbed with charcoal (for transfer?) and further ruled lines (verso) · 1511
The Metropolitan Museum of Art
Ornamental Frieze
Orsi
Pen and brown ink, brush and brown wash · 1511
The Metropolitan Museum of Art
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art
Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid
Marcantonio Raimondi
Engraving · 1510
The Metropolitan Museum of Art
Portrait of a Man
Titian
Oil on canvas · 1510
The Metropolitan Museum of Art
Saints John the Evangelist and Lawrence
Defendente Ferrari
Oil on wood · 1510
The Metropolitan Museum of Art
Saint Joseph at left and a bishop at right standing before the altar of the Virgin and Christ Child
Marco Dente da Ravenna
Engraving · 1510
The Metropolitan Museum of Art
The Sudarium Held by Two Angels
Daniel Hopfer
Etching with tone; third state of three · 1510
The Metropolitan Museum of Art
Moses Telling the Israelites to Gather Manna and Moses Striking the Rock
Giulio Bonasone
Engraving · 1510
The Metropolitan Museum of Art
Four Canephori
Carlo Urbino
Pen and brown ink, over black chalk; squared in pen and brown ink · 1510
The Metropolitan Museum of Art
Saints Peter, Martha, Mary Magdalen, and Leonard
Antonio Allegri Da Correggio
Oil on canvas · 1510
The Metropolitan Museum of Art
A plague scene at right, a man at left holding a torch illuminating part of the scene at left, sick people at the right
Marcantonio Raimondi
Engraving (heavily reworked) · 1510
The Metropolitan Museum of Art
Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid
Marcantonio Raimondi
Engraving · 1510
The Metropolitan Museum of Art
Armor for Man and Horse Presumably Made for Baron Pankraz von Freyberg (1508–1565)
Wolfgang Grosschedel
Steel; leather, copper alloy, textile · 1510
The Metropolitan Museum of Art