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Artworks

19 records by Flaminio Innocenzi Minozzi, Italian
Project for a painted ceiling with an antique bust in an archway
Project for a painted ceiling with an antique bust in an archway
Flaminio Innocenzi Minozzi, Italian
Brush and gray and brown wash, pen and ink, on paper. · 1807
Cooper Hewitt, Smithsonian Design Museum
Ornamental Panel
Ornamental Panel
Flaminio Innocenzi Minozzi, Italian
Pen and brown ink, brush and brown and gray wash on two sheets of paper joined vertically, lined with cardboard; rosettes drawn on four separate pieces of paper and laid down on the original sheet · 1806
Cooper Hewitt, Smithsonian Design Museum
Ornamental Panel
Ornamental Panel
Flaminio Innocenzi Minozzi, Italian
Pen and brown ink, brush and gray wash on three sheets of paper joined vertically, lined with cardboard · 1806
Cooper Hewitt, Smithsonian Design Museum
Project for a Painted Oblong Ceiling
Project for a Painted Oblong Ceiling
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown ink, brush and green, gray, and brown wash on paper, lined with white heavy textured paper with lithographed frame and geometric lines in pen and black ink over graphite · 1800
Cooper Hewitt, Smithsonian Design Museum
Project for a Painted Oblong Ceiling
Project for a Painted Oblong Ceiling
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown ink, brush and brown and gray wash on paper, lined with white heavy textured paper with lithogrphed frame and geometric lines with pen and black ink over graphite · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for a Monument for Pope Pius VI
Design for a Monument for Pope Pius VI
Flaminio Innocenzi Minozzi, Italian
Pen and brown ink, brush and brown wash over black chalk on off white laid paper · 1799
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Ceiling of Irregular Shape: Aurora
Design for a Painted Ceiling of Irregular Shape: Aurora
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown and black ink, brush and watercolor, black chalk on paper · 1790
Cooper Hewitt, Smithsonian Design Museum
Design for a Chalice, Plan
Design for a Chalice, Plan
Flaminio Innocenzi Minozzi, Italian
Pen and ink with ink and yellow washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Design for a Chalice, Elevation
Design for a Chalice, Elevation
Flaminio Innocenzi Minozzi, Italian
Pen and ink with ink and yellow washes on paper · 1785
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Interior of Papal Palace
Stage Design, Interior of Papal Palace
Flaminio Innocenzi Minozzi, Italian
theater, drawing — pen and brown and gray ink, brush and brown and gray wash, graphite, ruled border in pen and brown ink on cream laid paper, lined · 1777
Cooper Hewitt, Smithsonian Design Museum
Design for a Doorway
Design for a Doorway
Flaminio Innocenzi Minozzi, Italian
Pen and ink, brush and grey washes, black chalk on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Project for Decorative Escutcheon
Project for Decorative Escutcheon
Flaminio Innocenzi Minozzi, Italian
architecture, drawing — pen and ink, brush and grey water color on paper · 1760
Cooper Hewitt, Smithsonian Design Museum
Young Woman with Hunter
Young Woman with Hunter
Flaminio Innocenzi Minozzi, Italian
Oil on canvas · 1745
Art Institute of Chicago
Two Monks in a Landscape
Two Monks in a Landscape
Flaminio Innocenzi Minozzi, Italian
Oil on canvas · 1640
Art Institute of Chicago
Mercury
Mercury
Flaminio Innocenzi Minozzi, Italian
Bronze · 1590
Art Institute of Chicago
Sinan Reis and Hayreddin Barbarossa
Sinan Reis and Hayreddin Barbarossa
Flaminio Innocenzi Minozzi, Italian
Tempera on canvas · 1525
Art Institute of Chicago
Madonna and Child
Madonna and Child
Flaminio Innocenzi Minozzi, Italian
Marble · 1300
Art Institute of Chicago
Casket
Casket
Flaminio Innocenzi Minozzi, Italian
Ivory, brass, tempera, and gold leaf · 1100
Art Institute of Chicago
Design for an Altar at San Petronio, Bologna
Design for an Altar at San Petronio, Bologna
Flaminio Innocenzi Minozzi, Italian
Pen and brown ink, brush and gray wash on off-white laid paper
Cooper Hewitt, Smithsonian Design Museum