Database / Artworks
Artworks

Bringing in the Ghosts
Jim Hodges
Seventy-nine color lithograph, screen and pigment print, with hand cutting, collage and metallic foils on white wove paper · 2019
Art Institute of Chicago

Waterfall
Hiroshi Senju
Two pairs of six-panel folding screens
Acrylic and fluorescent pigments on Japanese mulberry paper · 2019
Art Institute of Chicago
![Landscapes of [Re]Construction](/api/images/artworks/aic/260219.jpg)
Landscapes of [Re]Construction
Emmanuel Pratt
Mixed media collage, paper, reclaimed nails, and thread over reclaimed wood · 2019
Art Institute of Chicago

We Are Many, Art, the Political and Multiple Truths
Irma Boom
Book · 2019
Art Institute of Chicago
![Manifold - [a topological space research]](/api/images/artworks/aic/251773.jpg)
Manifold - [a topological space research]
Esen Karol
Poster · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

2016 in Museums, Money, and Politics
Andrea Fraser
Color inkjet print on white wove paper · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

More Than Real, Art in the Digital Age
Irma Boom
Book · 2018
Art Institute of Chicago

Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago

Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago

Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago

Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago

A Mortal Man
Wardell Milan
Inkjet print, applied charcoal, graphite, gesso, etching ink, and cut-and-pasted paper · 2018
Art Institute of Chicago

Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago

Above Beings & Us
Terran Last Gun, Saakwaynaamah’kaa
Serigraph in colors on paper bag · 2018
Art Institute of Chicago

Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Fundação Iberê Camargo (Porto Alegre, Brazil), Álvaro Siza
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

The Gentlewoman, Issue 17, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2018
Art Institute of Chicago

B for Bone
Kemang Wa Lehulere
Reconfigured wood from salvaged school desks, porcelain dog, glass bottles with cork tops, sand, paper, ribbon, bone and resin hand · 2018
Art Institute of Chicago

Upheaved
Igshaan Adams
Polyester, polypropylene, cotton and viscose rayon ropes, cotton and polyester cord, wood and plastic beads, and wire · 2018
Art Institute of Chicago