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Artworks

12,374 records by Ed Emshwiller · Met Museum
ornamental Frieze with two Putti and a Monster
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The rest of the Holy Family on their flight to Egypt
The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Domenico Beccafumi
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) · 1531
The Metropolitan Museum of Art
The Virgin and Child
The Virgin and Child
Master of the Female Half-Lengths
oil paint · 1530
The Metropolitan Museum of Art
Landscape with Catacombs
Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art
Portrait of a Man with Gloves
Portrait of a Man with Gloves
Corneille (Guillaume van Beverloo)
Oil on wood · 1530
The Metropolitan Museum of Art
Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
An Old Man (Saint Paul)
An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
Horatio Coclès Saving Himself by Swimming
Horatio Coclès Saving Himself by Swimming
Diana Scultori
Engraving · 1530
The Metropolitan Museum of Art
Right Shoulder and Arm Defense
Right Shoulder and Arm Defense
Wolfgang Grosschedel
Steel, leather, copper alloy · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Cornelis Cort
Engraving · 1530
The Metropolitan Museum of Art
Portrait of an unidentified gentleman
Portrait of an unidentified gentleman
Léonard Limosin
Painted enamel on copper · 1530
The Metropolitan Museum of Art
The Sibyl Aprippa
The Sibyl Aprippa
Léonard Limosin
Painted enamel on copper, partly gilt · 1530
The Metropolitan Museum of Art
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Portrait of a Young Man
Agnolo Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art
Mars and Venus
Mars and Venus
Marco Angolo del Moro
Engraving · 1530
The Metropolitan Museum of Art
The Good Samaritan
The Good Samaritan
Hanns Lautensack
Etching · 1530
The Metropolitan Museum of Art
Italian Landscape
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art
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