Database / Artworks
Artworks
Close Helmet for the Tourney
Daniel Hopfer
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Costume Plate: Hispania Rustica mul. (with label on ground)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Leone Leoni
Bronze, cast · 1551
The Metropolitan Museum of Art
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching and engraving · 1551
The Metropolitan Museum of Art
Medal: Ippolita Gonzaga
Leone Leoni
Bronze (Copper alloy with worn, dark brown patina) · 1551
The Metropolitan Museum of Art
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Jacopo da Empoli
Pen and dark brown ink, over black chalk; squared in red chalk · 1551
The Metropolitan Museum of Art
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art
Studies for a Crucifixion
Alessandro Casolani
Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Triumph of Christian Faith
Jost Amman
Etching printed from two plates on two sheets · 1550
The Metropolitan Museum of Art
Armor of the Dukes of Alba
Lucio Piccinino
Steel, gold, silver · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Portrait of a Man
Tintoretto
Oil on canvas · 1550
The Metropolitan Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
The Flight into Egypt
Pierre Reymond
Painted enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art
Antique Naval Battle (recto); A Battle Scene (verso)
Lattanzio Gambara
Pen and brown ink, brush and brown wash (recto); black chalk (verso); squared in black chalk · 1550
The Metropolitan Museum of Art
The Conversion of St. Paul
Melchior Bocksberger
Pen and brown ink, brush and blue watercolor · 1550
The Metropolitan Museum of Art
Wolf hunt
Etienne Delaune, French
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art
Georg Thenn
Jost Amman
Etching; second state of two · 1550
The Metropolitan Museum of Art
The Triumph of Marcus Aurelius
Nicolas Beatrizet
Engraving; first state · 1550
The Metropolitan Museum of Art
Henri II, King of France
Léonard Limosin
Enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art
Mucius Scaevola
Antonio Campi
Woodcut · 1550
The Metropolitan Museum of Art
Pope Julius III (r. 1550–55)
Gian Federigo Bonzagna
Bronze · 1550
The Metropolitan Museum of Art
The Holy Family with the Infant Baptist, Saint Elizabeth, and an Attendant Angel
Aurelio Luini
Pen and brown ink, brush and pale brown wash, on beige paper · 1550
The Metropolitan Museum of Art
Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer
Pen and black ink, brush and gray and rose wash. · 1550
The Metropolitan Museum of Art