Database / Artworks
Artworks
Four Antique Goddesses
Felice Giani, Italian
figures, drawing — pen and brown ink, black chalk on wove paper · 1850
Cooper Hewitt, Smithsonian Design Museum
Six Antique Gods and Goddesses
Felice Giani, Italian
figures, drawing — pen and brown ink, black chalk, graphite on laid paper · 1850
Cooper Hewitt, Smithsonian Design Museum
Drawing
Felice Giani, Italian
drawing — pen and ink, brush and grey watercolor, graphite on paper · 1835
Cooper Hewitt, Smithsonian Design Museum
Atrium and Staircase in Classical Style
Felice Giani, Italian
architecture, interiors, drawing — black chalk on laid paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Castello Estense, Ferrara
Felice Giani, Italian
theater, drawing — pen and bistre ink on paper · 1822
Cooper Hewitt, Smithsonian Design Museum
Three Studies of Wall Mirrors
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1822
Cooper Hewitt, Smithsonian Design Museum
Ceiling Decoration, Teatro Valle, Rome
Felice Giani, Italian
drawing — pen and dark gray ink, watercolor, black chalk · 1821
Cooper Hewitt, Smithsonian Design Museum
Madonna Enthroned
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Romulus and Remus Suckled the Wolf; Romulus Dedicates to Jove Feretrius the Spoils of Conquered King Acronius, Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child in Glory, Study after Dosso Dossi
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Venus and Cupid, Study after Annibale Carracci
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash over black chalk on heavy white paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Remus Kills King Amulius; Remus Led in Chains before King Amulius; Two Studies After Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child Enthroned with Saints; Study after Panetti or Costa
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lamentation over the Body
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Blinded Soldier, Detail from the Conversion of St. Paul, Study after Agostino Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Four Herms, Studies after the Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Remus Drives Away and Kills the Robbers of the Herds; Santuary for the Fugitives on the Campidoglio, Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Nativity, Study after Carlo Cignani
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on heavy wove white paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash, over black chalk on white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Rape of the Sabines
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum