Database / Artworks
Artworks
Officia M.T.C. Von den tugentsamen ämptern
Cicero
Woodcuts · 1531
The Metropolitan Museum of Art
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Domenico Beccafumi
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) · 1531
The Metropolitan Museum of Art
Vamplate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, gold, paint · 1530
The Metropolitan Museum of Art
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art
Portrait of Pope Pius IV
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
Recluse playing the zither in a pine grove
Wen Zhengming
Hanging scroll; ink on paper · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art
The Annunciation
Battista Franco Veneziano
Etching and Engraving · 1530
The Metropolitan Museum of Art
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Crinet Plate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Mars and Venus
Marco Angolo del Moro
Engraving · 1530
The Metropolitan Museum of Art
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Double Goblet with Oval Decorations
Hans Sebald Beham
Engraving · 1530
The Metropolitan Museum of Art
Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art