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Artworks

12,375 records by Jiří Hilmar · Met Museum
The Triumph of Marcus Aurelius
The Triumph of Marcus Aurelius
Nicolas Beatrizet
Engraving; first state · 1550
The Metropolitan Museum of Art
Henri II, King of France
Henri II, King of France
Léonard Limosin
Enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art
Descent from the Cross
Descent from the Cross
Jean Goujon
Alabaster with traces of gilding · 1550
The Metropolitan Museum of Art
Panel
Panel
Jean Goujon
Carved walnut · 1550
The Metropolitan Museum of Art
The Siege of Fiesole by the Goths
The Siege of Fiesole by the Goths
Friedrich Sustris
Black chalk, pen and brown ink, brush and brown wash; squared in black chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
The Drunkenness of Noah
The Drunkenness of Noah
Friedrich Sustris
Pen and brown ink and brown wash · 1550
The Metropolitan Museum of Art
The Wayfarer Crowned by Happiness from The Table of Cebes
The Wayfarer Crowned by Happiness from The Table of Cebes
David Kandel
Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Gaspard de Coligny, Admiral of France
Gaspard de Coligny, Admiral of France
Jost Amman
Etching · 1550
The Metropolitan Museum of Art
Ornamental Design with a Bat in the Center
Ornamental Design with a Bat in the Center
Heinrich Aldegrever
Engraving · 1550
The Metropolitan Museum of Art
Armor of the Dukes of Alba
Armor of the Dukes of Alba
Lucio Piccinino
Steel, gold, silver · 1550
The Metropolitan Museum of Art
Minerva
Minerva
Benvenuto Cellini
Bronze · 1550
The Metropolitan Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art
Charity
Charity
Adriaan de Weerdt
Engraving · 1550
The Metropolitan Museum of Art
Venus and Adonis
Venus and Adonis
Titian
Oil on canvas · 1550
The Metropolitan Museum of Art
Tiger Hill
Tiger Hill
Lu Zhi
Handscroll; ink and color on paper · 1550
The Metropolitan Museum of Art
The Flight into Egypt
The Flight into Egypt
Pierre Reymond
Painted enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art
Frieze with Nine Birds Perched on a Vine
Frieze with Nine Birds Perched on a Vine
Franz Brun
Engraving · 1550
The Metropolitan Museum of Art
The Triumph of Marcus Aurelius
The Triumph of Marcus Aurelius
Nicolas Beatrizet
Engraving; first state · 1550
The Metropolitan Museum of Art
Saint Jerome Praying in a Landscape
Saint Jerome Praying in a Landscape
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache · 1550
The Metropolitan Museum of Art
Wolf hunt
Wolf hunt
Etienne Delaune, French
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art
Double Virginal
Double Virginal
Hans Rucker
Pine, beech, poplar, mahogany, paint, gesso, metal, parchment, brass · 1550
The Metropolitan Museum of Art
Design for a Coat of Arms with Putti holding Garlands
Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer
Pen and black ink, brush and gray and rose wash. · 1550
The Metropolitan Museum of Art
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