Database / Artworks
Artworks

Landscape with Trees and Figures
Herman van Swanevelt
Brush and brown ink, over a sketch in black chalk; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art

Architect in His Study Holding a Compass and Conversing with Three Men
Agostino Tassi
Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper; framing line along right edge in brown ink · 1600
The Metropolitan Museum of Art

Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art

Madonna and Child with Saints and Donors
Sebastiano del Piombo
oil paint · 1600
The Metropolitan Museum of Art

Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona
Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache · 1600
The Metropolitan Museum of Art

St. Bonifacius and St. Homobonus, Patron Saints of Tailors
Pieter de Jode II
Engraving · 1600
The Metropolitan Museum of Art

Nessus and Dejanira
Francesco Fanelli
Bronze · 1600
The Metropolitan Museum of Art

Page of Calligraphy
Muhammad Husain Kashmiri
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art

Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma
Black chalk, highlighted with white chalk, on blue paper faded to gray-green · 1600
The Metropolitan Museum of Art

Design for the Decoration of an Oval Dish with a Bacchanal
Filippo Lauri
Red chalk, wash · 1600
The Metropolitan Museum of Art

Child reclining
Rombout Verhulst
Marble · 1600
The Metropolitan Museum of Art

Three Men and a Dog on a Hill
Ercole Bazicaluva
Pen and crayon · 1600
The Metropolitan Museum of Art

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art

The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art

Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art

Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art

The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art

Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art

Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art

Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art

Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art

Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art

Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art