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Artworks

An Eagle Preaching to the Animals
Marcus Gheeraerts the Elder
Pen and brown ink, over red chalk · 1530
The Metropolitan Museum of Art

Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art

Thomas Wriothesley (1505–1550), First Earl of Southampton
Holbein, Hans, the younger
Vellum laid on card · 1530
The Metropolitan Museum of Art

Falling Buffe for a Helmet
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art

Elements of an Armor Garniture
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art

Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art

The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art

Portrait of Pope Pius IV
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art

Mars, Venus, and Cupid
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art

Portrait of Pope Pius IV
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art

An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art

Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art

Venus and Cupid
Lucas Cranach the Elder
lime panel · 1530
The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art

Portrait of a Man with Gloves
Corneille (Guillaume van Beverloo)
Oil on wood · 1530
The Metropolitan Museum of Art

Vamplate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, gold, paint · 1530
The Metropolitan Museum of Art

Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art

Crinet Plate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art

Horatio Coclès Saving Himself by Swimming
Diana Scultori
Engraving · 1530
The Metropolitan Museum of Art

Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art

Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art

Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Cornelis Cort
Engraving · 1530
The Metropolitan Museum of Art

Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art

Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art