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Artworks
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Design for a Term with the Head of Woman, Strapwork and Trophies
Mignon
Etching · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Mignon
Etching · 1535
The Metropolitan Museum of Art
Close Helmet
Wolfgang Grosschedel
Steel, leather, copper alloy · 1535
The Metropolitan Museum of Art
Saint Roch
Battista Angolo del Moro
Etching · 1535
The Metropolitan Museum of Art
Landscape with a Satyr
Domenico Campagnola, Italian
Pen and brown ink, touches of darker ink on the hut at center. · 1535
The Metropolitan Museum of Art
Temperance
Peter Flötner
bronze · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Atalanta and Hippomemes, from "Four Mythological Scenes"
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
The Triumph of Death on Time, from The Triumph of Petrarch
Georg Pencz
Engraving · 1534
The Metropolitan Museum of Art
The Witches at the Walnut Tree of Benevento
Guglielmo della Porta
Pen and brown ink · 1534
The Metropolitan Museum of Art
The Banquet of the Gods
Guglielmo della Porta
Pen and brown ink, over black chalk · 1534
The Metropolitan Museum of Art
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning
Girolamo Fagiuoli
Engraving · 1534
The Metropolitan Museum of Art
Illustrations to Proverbs 10: 4-7
Daniel Hopfer, I
Etching; first state of two · 1534
The Metropolitan Museum of Art
Illustrations to Proverbs 10: 4-7
Daniel Hopfer
Etching; first state of two · 1534
The Metropolitan Museum of Art
Illustration to Proverbs 11: 26
Daniel Hopfer, I
Etching; second state of four · 1534
The Metropolitan Museum of Art
Arabesque Design on Dark Ground
Virgil Solis
Etching and engraving · 1534
The Metropolitan Museum of Art