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Artworks

12,356 records by Tim Rollins · Met Museum
Pilate at the left washing his hands (left side of sheet)
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Saint Jerome
Saint Jerome
Pieter de Jode I
Engraving · 1585
The Metropolitan Museum of Art
Standing Angel Brandishing a Sword
Standing Angel Brandishing a Sword
Ferraù Fenzoni
Pen and brown ink, brush and brown wash, over black chalk · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Mars and Venus Trapped by Vulcan
Mars and Venus Trapped by Vulcan
Guglielmo della Porta
Gilt bronze · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Orpheus and Eurydice
Agostino Carracci
Engraving, second state · 1585
The Metropolitan Museum of Art
Allegory of Asia, from "The Four Continents"
Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Europe, from "The Four Continents"
Allegory of Europe, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Africa, from "The Four Continents"
Allegory of Africa, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Song of the Lute
Song of the Lute
Ding Yunpeng
Hanging scroll; ink and color on paper · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
Allegory of America, from "The Four Continents"
Allegory of America, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Portrait of a Woman
Portrait of a Woman
Nicholas Hilliard
Vellum laid on card · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Casket
Casket
Wenzel Jamnitzer
Gilded yellow metal, silver · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Basin
Basin
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Ogni cosa vince l'oro
Agostino Carracci
Engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Flaying of Marsyas
Guglielmo della Porta
Bronze · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
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