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Artworks

47 records by Max Slevogt
Section of Crewel Embroidery on Border of Petticoat
Section of Crewel Embroidery on Border of Petticoat
Max Slevogt
watercolor and graphite on paper · 1935
National Gallery of Art
Self-Portrait (Selbstbildnis) from the exhibition catalogue Max Slevogt. Gemälde, Aquarelle, Pastelle, Zeichnungen zu seinem 60. Geburtstage (Max Slevogt. Paintings, Watercolors, Pastels, Drawings on the Occasion of his 60th Birthday)
Self-Portrait (Selbstbildnis) from the exhibition catalogue Max Slevogt. Gemälde, Aquarelle, Pastelle, Zeichnungen zu seinem 60. Geburtstage (Max Slevogt. Paintings, Watercolors, Pastels, Drawings on the Occasion of his 60th Birthday)
Max Slevogt
Lithograph · 1928
Museum of Modern Art
Menu in honor of Max Lieberman
Menu in honor of Max Lieberman
Max Slevogt
Hektograph on ivory wove paper · 1927
Art Institute of Chicago
Menu in Honor of Max Lieberman
Menu in Honor of Max Lieberman
Max Slevogt
Hektograph on ivory wove paper · 1927
Art Institute of Chicago
Faust
Faust
Max Slevogt
1925
Man toont prenten op een markt
Man toont prenten op een markt
Max Slevogt
1918
Signs of the Times VIII: Xerxes Grew Angry (Symbole der Zeit VIII: Xerxes ergrimmte) (plate, folio 27) from the periodical Der Bildermann, vol. 1, no. 13 (Oct 1916)
Signs of the Times VIII: Xerxes Grew Angry (Symbole der Zeit VIII: Xerxes ergrimmte) (plate, folio 27) from the periodical Der Bildermann, vol. 1, no. 13 (Oct 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times IV: Pax Vobiscum (Symbole der Zeit IV: Pax Vobiscum) (plate, folio 11 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Jun 1916)
Signs of the Times IV: Pax Vobiscum (Symbole der Zeit IV: Pax Vobiscum) (plate, folio 11 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Jun 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times IX (Symbole der Zeit IX) (plate, folio 35 verso) from the periodical Der Bildermann, vol. 1, no. 17 (Dec 1916)
Signs of the Times IX (Symbole der Zeit IX) (plate, folio 35 verso) from the periodical Der Bildermann, vol. 1, no. 17 (Dec 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times II: Mars Rules the Hour (Symbole der Zeit II: Mars regiert die Stunde) (plate, folio 5 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Apr 1916)
Signs of the Times II: Mars Rules the Hour (Symbole der Zeit II: Mars regiert die Stunde) (plate, folio 5 verso) from the periodical Der Bildermann, vol. 1, no. 2 (Apr 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Untitled: Fear of the Average German [O(hne) T(itel). (Furcht vor dem deutschen Michel)] (folio 6) from the periodical Der Bildermann, vol. 1, no. 3 (May 1916)
Untitled: Fear of the Average German [O(hne) T(itel). (Furcht vor dem deutschen Michel)] (folio 6) from the periodical Der Bildermann, vol. 1, no. 3 (May 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Untitled, illustration to Heinrich Heine's poem "Where?" ("Wo?") (border, 5th song, folio 43) from the periodical Der Bildermann, supplement to vol. 1, no. 9 (Aug 1916)
Untitled, illustration to Heinrich Heine's poem "Where?" ("Wo?") (border, 5th song, folio 43) from the periodical Der Bildermann, supplement to vol. 1, no. 9 (Aug 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times X (Symbole der Zeit X) (plate, folio 37) from the periodical Der Bildermann, vol. 1, no. 18 (Dec 1916)
Signs of the Times X (Symbole der Zeit X) (plate, folio 37) from the periodical Der Bildermann, vol. 1, no. 18 (Dec 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times I (Symbole der Zeit I) (plate, folio 3 verso) from the periodical Der Bildermann, vol. 1, no. 1 (Apr 1916)
Signs of the Times I (Symbole der Zeit I) (plate, folio 3 verso) from the periodical Der Bildermann, vol. 1, no. 1 (Apr 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times VII (Symbole der Zeit VII: Über die Grenzen in weiten Land Unendlicher Schmerz die Flügel spannt.) (plate, folio 23) from the periodical Der Bildermann, vol. 1, no. 11 (Sep 1916)
Signs of the Times VII (Symbole der Zeit VII: Über die Grenzen in weiten Land Unendlicher Schmerz die Flügel spannt.) (plate, folio 23) from the periodical Der Bildermann, vol. 1, no. 11 (Sep 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times VI: God Shall Bestow Victory on Everyone (Symbole der Zeit VI: Jedem soll er den Sieg verliehen) (plate, folio 17 verso) from the periodical Der Bildermann, vol. 1, no. 8 (Jul 1916)
Signs of the Times VI: God Shall Bestow Victory on Everyone (Symbole der Zeit VI: Jedem soll er den Sieg verliehen) (plate, folio 17 verso) from the periodical Der Bildermann, vol. 1, no. 8 (Jul 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (plate, folio 13 verso) from the periodical Der Bildermann, vol. 1, no. 6 (Jun 1916)
Signs of the Times V: Into Dust with All Enemies (Symbole der Zeit V: In Staub mit allen Feinden) (plate, folio 13 verso) from the periodical Der Bildermann, vol. 1, no. 6 (Jun 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Signs of the Times III (Symbole der Zeit III) (plate, folio 9 verso) from the periodical Der Bildermann, vol. 1, no. 4 (May 1916)
Signs of the Times III (Symbole der Zeit III) (plate, folio 9 verso) from the periodical Der Bildermann, vol. 1, no. 4 (May 1916)
Max Slevogt
Lithograph · 1916
Museum of Modern Art
Benvenuto Punishes Paul and Katharine (Benvenuto bestraft Paul und Katharine) for the illustrated book Benvenuto Cellini
Benvenuto Punishes Paul and Katharine (Benvenuto bestraft Paul und Katharine) for the illustrated book Benvenuto Cellini
Max Slevogt
Lithograph · 1913
Museum of Modern Art
Somali Warrior
Somali Warrior
Max Slevogt
Drypoint on cream wove paper · 1912
Art Institute of Chicago
Self-Portrait (sketching in his studio)
Self-Portrait (sketching in his studio)
Max Slevogt
etching with drypoint on wove paper · 1911
National Gallery of Art
Trotting
Trotting
Max Slevogt
Lithograph on ivory Japanese paper · 1911
Art Institute of Chicago
Self-Portrait, Seated in Chair, Sketching
Self-Portrait, Seated in Chair, Sketching
Max Slevogt
Drypoint on ivory wove paper · 1911
Art Institute of Chicago
The Murderess (Die Mörderin)
The Murderess (Die Mörderin)
Max Slevogt
Drypoint · 1911
Museum of Modern Art
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